The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
The tin dioxide used in the glaze is made by direct oxidation of tin
in air. It has been found that tin burns much more easily in air when
it is mixed with lead; 20 to 40 parts of tin are melted with 100
parts of lead, and the alloy heated in shallow vessels in the air;
it takes fire at a certain temperature, and it is only necessary to
remove continually the layer of oxide in order to oxidise the whole
of the metal within a short space of time. The mixture of oxides
obtained in this manner is freed from particles of metal by grinding
and levigation; when it is fused with the glass, the lead oxide enters
into combination, whilst the tin oxide is embedded in the colourless
glass. When paste enamels are required the mass is melted in shallow
crucibles, poured into water and broken up to a coarse powder, which
is again fused. In some cases this operation must be repeated several
times to obtain a quite homogeneous product, for tin dioxide is very
heavy and sinks to the bottom of the fluid glass; this is readily
seen if the fused enamel is allowed to cool in the crucible. When the
crucible is broken the lower portions of the fused mass are dense
white, whilst the upper are merely milky white. By repeatedly fusing
the mass it is endeavoured to obtain it uniform. In fusing the enamel
care must be taken that it is heated in a vessel from which the fire
gases are completely excluded, since the smallest quantity of coal or
of ferruginous ashes coming into contact with the melted mass would
injure its colour. If the melting point of the enamel is too high it
can be lowered by the addition of a small quantity of pure quartz sand.
A fine white enamel is obtained by using litharge or red lead. The
mixture contains 60 parts of quartz sand, 30 of alum, 35 of common
salt and 100 of red lead. It is advisable to add a small quantity of
finely-powdered talc to the sand. In consequence of the considerable
proportion of alumina contained in this enamel it is difficult to melt,
and can be heated to very high temperatures without injury to the shade.
When antimony oxide is used a glass free from lead must be taken; lead
glass does not give a pure white with antimony oxide. A very good white
enamel is obtained by fusing 3 parts of crystal glass with 1 part of
sodium antimoniate.
=Coloured Enamels= owe their colour to metallic oxides. Enamels
coloured by metallic oxides, in which the oxygen is firmly united,
can be fired without great precaution, but if they contain oxides
easily decomposed, great care is required to obtain a fine colour. In
enamelling metals a white under-glaze is generally used beneath the
coloured enamel; it consists of a refractory white enamel. By this
means it is more easy to obtain pure colours.
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