The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
The raw material for the manufacture of bronze powders is produced
in making imitation gold and silver leaf; the waste metal obtained
in beating the sheets is used. The employment of this waste has two
advantages: the metal is already in very thin sheets and is composed of
alloys varying in colour from silver white, through gold, to a bright
copper. In making leaf metal the waste of each colour is kept carefully
separate, so that it simply requires to be broken up to produce bronze
powders of different shades.
Before this waste is brought into the drums mentioned above it must be
subjected to a preliminary grinding in a mortar with a small quantity
of a fatty oil, which serves to bind together the mass. Sufficient oil
should be used to give the mass some degree of coherence; if too much
oil is added the space between the needles of the drum would be coated
with the mass and the process in the drum would require a much longer
time. The uniform mixture of oil and bronze waste is then brought
upon a wire sieve of the finest possible mesh, and the mass is rubbed
through by means of a fine metal brush into a vessel below; thus the
larger particles are retained by the sieve and only those which are
smaller than the mesh pass through. The product of this process is
then brought into the drums, which are rapidly revolved; the small
particles of metal are thrown with great force against the side and
are converted by the fine points with which it is studded into a very
fine powder. The time required for this process depends on the rate of
revolution and on the quantity of powder treated at once. The drums are
stopped from time to time and the contents examined. When the powder
is sufficiently fine it is taken out of the drum. This is most easily
accomplished if the drum is arranged to take apart into two halves.
In most works it is usual to free the bronze powder from the admixed
oil by subjecting the mass to the greatest pressure that can be
produced by a very powerful hydraulic press. The oil which flows
from the press is always green, which shows that chemical action has
taken place. In consequence of the large surface imparted to the oil
it becomes speedily rancid, and then contains free fatty acids which
attack copper very energetically.
[Illustration: FIG. 35.]
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