The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
The use of hydraulic presses may be avoided by removing the oil
by means of a solvent. Fatty oils dissolve very readily in carbon
bisulphide, but this solvent cannot be used in this case, because
commercial carbon bisulphide always contains dissolved sulphur, which
would blacken the bronze powder. Petroleum ether and benzene are very
suitable solvents for this purpose. On account of the volatility of
these inflammable liquids lights must be absolutely excluded from the
room in which they are used, and in order to avoid loss of solvent
the bronze powder must be treated in closed vessels. The safest plan
is to use a special apparatus of simple construction to dissolve
the oil. Fig. 35 shows the construction of an arrangement suitable
for this purpose. It consists of a cylindrical vessel of tin plate
surrounded by a rim into which fits the edge of the cover. When the
lid is placed on and the rim filled with water, the contents of the
vessel are closed in air-tight and cannot evaporate. The lower portion
of the vessel is conical, and is joined to a pipe in which is a tap,
and which communicates at the side by a tube with the glass vessel in
which the solvent is contained; another tube connects the neck of this
vessel with the cover. When this apparatus is used for extracting the
oil from bronze powder, a filter of strong blotting paper is placed
in the conical portion of the vessel, care being taken that it fits
accurately so that it is not torn by the weight of the bronze. The oily
bronze powder is placed on this filter, the cover set on, and the rim
filled with water. By opening the tap attached to the solvent reservoir
the liquid is allowed to enter the cylinder from below, the air in the
latter passing through the tube in the cover to the reservoir. After
some hours the oil is dissolved, the tap in the cover is then opened
and the liquid run off by opening the lowest tap. If the bronze powder
is not quite free from oil after one treatment with the solvent, the
operation is repeated with a fresh quantity.
When free from oil the powder and filter are removed from the apparatus
and dried; the dry mass forms a solid cake, which is broken up in a
mortar and by a little grinding changed into a fine powder.
The colour of the bronze powder is the same as that of the alloy used,
but the shade is always rather paler than that of the coherent metal;
regard must be paid to this circumstance in making a bronze of a
determined colour: the alloy employed must have a rather deeper colour
than the shade the bronze is to possess.
Public-domain text, read in full here on John Shaqi.
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