The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
Gum Arabic and tragacanth are used as binding materials for the
pigments. Dextrine is also much used in place of the expensive gums;
for this purpose only pure white dextrine should be used, since the
brown colour of ordinary dextrine would injure the shade of the
colours, especially of pale colours. Gum Arabic and dextrine, which
are readily soluble in water, require no special preparation before
their solutions are mixed with the pigments. The solutions are made by
treating with water; they are then allowed to stand for several days in
a tall vessel so that impurities may settle. If the solutions are very
turbid, they are filtered through closely woven linen.
Gum tragacanth requires rather different treatment. It is not
completely soluble in water, in which it only swells up to a great
extent. It is prepared by leaving it for several days in water, and
when it has swollen, rubbing the slimy mass in a mortar until it is
completely uniform.
The levigated pigments are allowed to dry in the air to a soft paste,
which is mixed with the proper quantity of gum Arabic and tragacanth
solutions. As a rule the two gums are used together. The colouring
matter and binding medium may simply be ground together, but long
grinding would be required to produce a completely homogeneous mixture.
The costly manual labour is therefore as far as possible replaced by
machinery, by which means a cheaper and also more uniform product is
obtained. The machines by which the pigment is ground with the binding
material are of simple construction. They consist of rollers placed in
pairs one above the other and moving in opposite directions. The two
rollers of each pair are connected by cog-wheels, in such a way that
the lower moves more slowly than the upper. In consequence of this
arrangement, the rollers, in addition to crushing, exert a grinding
action upon the viscous mass passing between them. As a rule, after the
colour has passed through one pair of rollers, it goes through a second
and third, from the last of which it is taken off by a scraper. It is
now completely uniform.
The binding medium must be of such consistency that, after grinding
with the pigment, a fairly stiff paste results which is suitable for
pressing. The cakes of colour are pressed out in an ordinary spindle
press, which should be so constructed that the stamp in the down stroke
comes upon the paste beneath it and stamps out cakes upon which the
engraving of the die is clearly shown. If the cakes crack when slowly
dried, the medium contains too much gum Arabic. If the impression
of the die upon the cakes is not sharp, and if they remain rather
elastic when completely dry, too much tragacanth has been used. It is
rather difficult to grind a stiff paste, many manufacturers prefer to
grind the colour in a rather more fluid condition, and then to allow
the paste to thicken by drying to the consistency necessary for the
production of good cakes.
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