The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
The moulds in which the cakes are made must be very carefully worked in
metal, so that the description and trade mark print clearly upon the
cakes. The cakes should be dried at the ordinary temperature or but
little higher. They are placed upon smooth boards, and care is taken
that the temperature of the drying room remains uniform, which is the
condition requisite for the production of the fewest cracks. When it is
intended to place on the market only faultless and well-stamped cakes
they must be sorted when dry, and the cracked ones rejected; these can
be worked up in the next operation.
The dry cakes are given a good appearance by coating them with a weak
solution of gum, and then drying. According to the price at which these
colours are to be sold the cakes are given a different character. The
finest colours are generally made into larger cakes and packed in
handsome boxes, whilst ordinary cheap colours are made into small lumps
or circular plates, flat on one side and somewhat convex on the other,
and packed in boxes of soft wood.
=Moist Water Colours.=—Instead of grinding water colours with gum
Arabic or tragacanth and bringing them on the market in the dry state,
they may also be sold in a condition resembling that of oil paints.
This may be accomplished by using very viscid glucose syrup instead
of gum Arabic, and grinding the pigments in this exactly as in oil.
Glucose is very hygroscopic, the colours prepared with it remain moist,
and may be spread out upon the palette like oil colours. It is then
only necessary to wet the brush in water and mix the mass with it in
order to obtain colour of the proper consistency.
Moist water colours have also been known as ”honey colours,” since this
mixture of sugars was formerly used for their preparation; it also is
hygroscopic. Honey is no longer used; the much cheaper glucose answers
the same purpose. On account of their semi-fluid nature, moist water
colours are put up in tubes just as oil colours. They are thus rather
dear, but are little used.
CHAPTER LXVII.
CRAYONS.
Crayons are coloured pencils by which pictures may be, so to speak,
”dry painted”. At present this method of painting is little used,
though it was in vogue in the last century, but coloured pencils,
especially blue and red, are much used for writing. Crayons are now
used in a very convenient form, being generally made in the same manner
as lead pencils. The coloured mixture from which the crayon is made
is produced in the form of a paste containing a soft, finely ground
mineral, well mixed with the colouring matter and an amount of binding
medium just sufficient to hold the powders together.
Public-domain text, read in full here on John Shaqi.
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