The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
My benefit, which was fixed for the last night of the season, took place
on Friday, April 4th. At quite an early hour crowds collected right down
Fourteenth Street and Irving Place, and within a very short time every
square inch of available room in the house was occupied. The enthusiasm
of the auditors was immeasurable, and they began to show it as soon as
the performance opened. The representation consisted of the third act of
the _Talisman_, with Mdme. Gerster as "Edith Plantaganet," and
Campanini as "Sir Kenneth;" followed by the fourth act of _Favorita_, in
which Mdme. Marie Roze undertook the _rôle_ of "Leonora;" and concluding
with an act of _La Traviata_, with Mdme. Gerster as "Violetta." Mdme.
Gerster's performance was listened to with the deepest attention, and
rewarded at the end with enthusiastic cheers. Mdme. Gerster afterwards
came out three times, but her courtesies were of no avail in quieting
the multitude. It was necessary, at the demand of the public, to raise
the curtain and repeat the entire act. Then nothing would satisfy the
audience but my appearance on the stage; when I thanked the ladies and
gentlemen present for their support, notifying, moreover, that,
encouraged by my success, I should return to them the next autumn. This
little speech was vehemently applauded, especially the references I made
to the singers and to the conductor, who, I promised, would come back
with me.
During our stay in New York we were supplied with pianos both for the
artists individually as well as for use at the theatre by Messrs.
Steinway and Sons; and before we left the following flattering but just
letter of compliment and of thanks was addressed to the firm:--
"Academy of Music, New York,
"December 28, 1878.
"GENTLEMEN,
"Having used your pianos in public and private during the present Opera
season we desire to express our unqualified admiration of their
sonority, evenness, richness, and astonishing duration of tone, most
beautifully blending with and supporting the voice. These matchless
qualities, together with the precision of action, in our opinion, render
the Steinway pianos, above all others, the most desirable instruments
for the public generally.
"(Signed) ETELKA GERSTER, MARIE ROZE,
MINNIE HAUK, C. SINICO,
CAMPANINI, FRAPOLLI, GALASSI, FOLI,
DEL PUENTE, ARDITI."
Messrs. Steinway now offered and undertook to supply each leading member
of the Company with pianos in whatever town we might visit throughout
the United States.
Public-domain text, read in full here on John Shaqi.
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