The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
On our arrival in Philadelphia I was surprised to find that every artist
in the Company had had a magnificent Steinway placed in his or her
bedroom; this in addition to the pianos required at the theatre. But
while the Company were dining, a rival pianoforte maker, who had shown
himself keenly desirous of the honour of supplying us with instruments,
invaded the different bedrooms and placed the Steinway pianos outside
the doors, substituting for them pianos made by his own firm--that of
Weber and Co. The Webers, however, were ultimately put outside and the
Steinways replaced.
Shortly afterwards a pitched battle took place in the corridors between
the men employed by the rival firms, when the Weber men, being a more
sturdy lot, entirely defeated the Steinway men and ejected them bodily
from the hotel. The weapons used on this occasion were piano legs,
unscrewed from the bodies of the instruments.
Not only did physical force triumph, but the superior strength exhibited
by the Weber side was afterwards supplemented by cunning. That very
night Weber gave a grand supper to the whole of my Company, and I was at
once astonished and amused the next day to find that a new certificate
had been signed by them all stating that Weber's pianos were the best
they had ever known. A paper to that effect had been passed round after
sundry bottles of "Extra Dry," and signatures appended as a matter of
course.
Such was the impartiality of my singers that they afterwards signed on
behalf of yet a third pianoforte maker, named Haines.
In accordance with numerous solicitations, I agreed to give a Farewell
_matinée_ the next day. But the steamer had to sail for Europe at two
o'clock in the afternoon; and this rendered it necessary that my morning
performance should commence at half-past eleven, the box-office opening
at eight. In the course of a couple of hours every seat was sold.
Towards the close of the performance, Arditi, the conductor, got very
anxious, and kept looking up at my box. It was now half-past one, Madame
Gerster's _rondo finale_ in _La Sonnambula_ had absolutely to be
repeated, or there would have been a riot; and we were some three miles
distant from the steamer which was to convey us all to Europe.
At length, to my relief, the curtain fell; but the noise increased, and
I had again to show myself, while Arditi and the principal singers and
chorus took their departure, Signor Foli, with his long strides,
arriving first. I afterwards hastened down in a carriage I had expressly
retained. As the chorus had scarcely time to change their dresses, many
of them rushed down as best they could in their theatrical attire,
followed by a good portion of the audience, who were anxious to get a
last glimpse of us all.
Public-domain text, read in full here on John Shaqi.
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