The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
ONE afternoon about four o'clock, during the month of November, 1862,
Giuglini sent word that he would be unable to sing the part of "Lionel"
in _Martha_ that evening, having had some dispute at home. All my
persuasion was useless; nothing would induce him, and as at that period
of the year there were no tenors to be found in London, I was at my
wits' ends to know what to do, and I ultimately decided to close the
theatre, having no alternative. I therefore got into a hansom and drove
off to inform Mdme. Trebelli, also Mdlle. Titiens, who was dining at her
house, that there would be no need of their coming down.
On turning the corner of the Haymarket, Piccadilly, the horse's head
struck a gentleman and forced him back on to the pavement. The cab was
stopped, and a policeman came up. The gentleman was not, however,
injured, and to my great astonishment he turned out to be an English
tenor, who had been lately in Italy. On learning this I politely took
him into my cab and inquired what had brought him back to England. He
said that he had been performing at various Italian theatres, and that
he was now very desirous of obtaining a _début_ in this country.
I at once informed him that nothing could be easier, and that it would
be best for him to make his appearance immediately, without any further
preparation, for thus he would have no time to reflect and get nervous.
I then quite casually, as we were going along, asked him if he knew the
opera of _Martha_, to which he replied that he knew nothing of the music
and had never seen the work. This for the moment wrecked all my hopes as
to saving my receipts that evening, the booking for which exceeded £600.
My impulse was to stop the cab and put him out; but first I sang to him
a few bars of _M'appari_. This romance he said he knew, having
occasionally sung it at concerts, but always with the English words. I
thought no more of ejecting him from the cab, and continued my drive up
to St. John's Wood.
On my relating to Mdlle. Titiens and Mdme. Trebelli how by good luck I
had nearly run over a tenor they both said it was useless to think of
attempting any performance.
I assured, however, my newly-caught tenor that if he would only be
guided by me and appear forthwith he would make a great success. I at
once set to work and showed him the stage business in the drawing-room,
requesting Mdme. Trebelli to go through the acting of the part of
"Nancy," and Mdlle. Titiens through that of "Martha." I explained to the
tenor that on entering he merely had to come on with his friend
"Plunkett," go to the inn table, seat himself, drink as much beer as he
liked, and at a given signal hand over the shilling to enlist the
services of "Martha" at the Richmond Fair, after which he would drive
her away in a cart. This would complete Act I.
Public-domain text, read in full here on John Shaqi.
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