The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
A catastrophe occurred at the close of the last scene, where the late
Colonel Goodenough, in the character of "Rigoletto," had to mourn over
the corpse of the murdered "Gilda." At the rehearsal a man had been
placed in the sack, but he was too heavy to be dragged out; and, as
Colonel Goodenough was very nervous, the property-man made the sack
lighter by placing inside some straw and two large bladders full of air.
Just as the curtain was descending Goodenough, who was a very heavy man,
threw himself for the final lament on to the corpse of his daughter,
when a loud explosion took place, one of the bladders having burst.
The performance concluded with the last act of _Don Giovanni_, in which
Colonel Stracey undertook the part of the dissolute "Don." The demons
were gunners from the Royal Artillery. It was most ludicrous, every time
the Colonel gave the slightest stage direction as to where these men
were to go and when they were to take hold of him and carry him down, to
see the eight demons all give the military salute at the same time.
Stracey told them not to salute him, on which they said "No, Colonel!"
and gave another salute.
On leaving Cork we had to return to Dublin, where, in consequence of
enormous success, we were called upon to give an extra week. We finished
up on the following Saturday evening with a performance of Wallace's
_Maritana_, in the Italian language, to a house literally packed to the
very roof. Ravelli sang the part of "Don Cæsar;" and being encored in
"Let me like a soldier fall," gave it the second time in English.
We afterwards went to Liverpool, when suddenly Mdme. Minnie Hauk,
without a moment's warning, left the Company. Two days afterwards I
received a medical certificate from Dr. Weber, to the effect that the
lady was in a precarious state of health, and utterly voiceless, so that
it was necessary for her to go to a certain mountain in Switzerland to
recover her health. It was the month of December.
I afterwards ascertained that _en route_ she had sung at three concerts
for her own benefit.
We next visited Nottingham, Manchester, Birmingham, Bristol, Brighton,
etc., concluding at the last-named town just before Christmas with a
memorable performance of _Maritana_, when the curtain had to be raised
no less than five times.
On the termination of the season we returned to London, where the
Company disbanded for the holidays, my Italian chorus being now sent
back to Italy.
Public-domain text, read in full here on John Shaqi.
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