The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
Legal proceedings were resorted to, but I ultimately settled the matter
by giving a private box for our next visit.
On arriving at Chicago we found ourselves not only in the same town with
our rivals, but also in the same hotel.
Such a galaxy of talent had never before been congregated together under
one roof. The ladies consisted of Adelina Patti, Etelka Gerster,
Christine Nilsson, Fursch-Madi, Sembrich, Trebelli, and Scalchi, whose
rooms were all along the same corridor.
It was here that our great battle began; and I have much satisfaction in
quoting the following account of the conflict from a leading journal:--
"The Mapleson season opened with a brilliant house on Monday evening.
The opera and cast were not very strong for an opening night, but
Patti's name proves a drawing card on all occasions, and she was given a
flattering reception as she once more presented herself to Chicago.
_Crispino_ is not a strong opera, the music being of the lightest order.
She was finely supported by the other artists. Mdme. Etelka Gerster as
'Adina' was very charming; she appeared the following evening in _Elisir
d'Amore_. At the rival house Ponchielli's _La Gioconda_ attracted a
large but not a crowded audience on the opening night. Both Opera
Companies continued vigorously throughout the week, giving a series of
the finest performances. The palm must readily be awarded to Mr.
Mapleson's able management, as Mr. Abbey closed probably the
worst-managed opera season Chicago had ever had. It opened amidst a
flourish of trumpets, which heralded great conquests, but the results
did not justify the reports."
I must now mention that when I organized the first Cincinnati Festival I
stipulated with the Directors, in case of any repetitions, that the
terms should be the same, and that I should have the sole control. The
three preceding Festivals had been given under my direction, with
distinguished success, and with large profits. But I now found that
here, too, Mr. Abbey had stepped in and secured the great Festival for
himself. It was useless going to law with a body of directors. I,
therefore, trusted to injustice meeting with its own reward, as it
inevitably does. I could illustrate this by many hundreds of cases.
I now hastened to conclude engagements for another Opera Festival at Mr.
Fennessy's elegant theatre--one of the most beautiful in Cincinnati--in
order that Mr. Abbey might not have the whole affair to himself.
Public-domain text, read in full here on John Shaqi.
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