The Mapleson Memoirs, 1848-1888, vol II — John Shaqi
The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
"To one who has stood on Mission Street, opposite the Grand Opera-house,
yesterday forenoon, and 'viewed the battle from afar,' as it might be
said, it seemed that a large number of people had run completely mad
over the desire to hear Patti sing. Such an excited, turbulent, and, in
fact, desperate crowd never massed in front of a theatre for the purpose
of purchasing tickets. It absolutely fought for tickets, and it is
questionable whether, if it had been an actual riot by a fierce and
determined mob, the scene could have been more exciting or the wreck of
the entrance of the theatre more complete. After the throng had melted
away the approaches to the box-office looked as if they had been visited
by a first-class Kansas cyclone in one of its worst moods. The fact that
tickets were on sale for several performances had much to do with it. It
was a sort of clean-up for last evening and to-day's _matinée_, but
above all for the Patti night on Tuesday. A line began to form as early
as five o'clock in the morning, and it grew and multiplied until at ten
o'clock it had turned the corner on Third Street, while the main
entrance was packed solid with a writhing and twisting mass of humanity,
which pressed close to the glass doors which form the first barrier, and
which were guarded by a lone policeman. He did his best to reduce the
pressure upon himself and upon the doors, but as the time passed and the
box-office did not open the crowd became more noisy and unmanageable,
and finally an irresistible rush was made for the doors. They did not
resist an instant, and gave way as though they had been made of paper.
In the fierce tumult which followed the glass was all broken out of
them, a boy being hurled bodily through one of the panes, with a most
painful result to him, for he fell cut and bruised inside. There was not
an inch of available space between the street and the main entrance that
was not occupied by men, women, or children, indiscriminately huddled in
together. The potted plants were overturned and annihilated under the
feet of the throng; the glass in the large pictures which adorned the
walls was broken, and the pictures themselves dragged to the floor. The
box-office was besieged by a solidly-packed and howling mob, the regular
line entirely overwhelmed, and a grand struggle ensued to get as near
the box-office--which had not been opened--as possible. Then the crowd
itself essayed to get into some sort of order.
Public-domain text, read in full here on John Shaqi.
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