The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
Our opening opera was _La Sonnambula_ with Nevada, which was followed by
_La Traviata_ with Mdme. Patti. Prior to the last act a panic was caused
in the theatre by the falling of some plaster from the front of the
dress circle. Someone near the exit to the stalls shouted "Fire," a cry
which was repeated by numbers of men in the lobby. Consternation was
seen in the faces of the audience, and a general rush was made for the
doors. The situation was serious in the extreme; but the presence of
mind of some gentlemen present, aided by the equal coolness of several
ladies, had the effect of allaying the general fright.
Many ladies, on the other hand, fainted from excitement, whilst numbers
of persons left the theatre, so that the last act was given with a very
bare house.
"A great deal of excitement," wrote a local journal, "was manifested in
the street, and rumour magnified the incident. It took the shape of a
fearful accident in the minds of some people, and it was some time
before the public was assured that no damage had resulted to life or
limb. One young lady fainted as she was about to enter her carriage in
front of the theatre. She fell to the side walk, slightly cutting her
mouth, and was unconscious for a few minutes. With the assistance of Dr.
Joseph Scott, her friends succeeded in reviving her, and she was placed
in a carriage and driven home. Mr. David Bidwell was this morning waited
upon by the _Item_ reporter, who informed him of the many rumours
regarding the safety of the St. Charles Theatre. Mr. Bidwell said: 'The
whole trouble comes from the fall of a small piece of plastering, three
feet long by one foot and a half wide, in the left part of the theatre,
back to the _parquette_ seats. The plastering at that place had been
disturbed during the Kiralfy engagement by the moving out of some
scenery. I had the spot repaired during the wet weather, and, from the
dampness, the plastering did not hold. As regards the solidity of the
theatre, you can state that it is the strongest building of its kind;
the walls are in places four feet thick. Everything inside is sound and
substantial, having been recently repaired and renovated. Mr. William
Freret, the architect, has just been in here, and made a thorough
inspection. He finds everything in first-class condition, and sound as
can be. The public should not give credence to silly rumours, but listen
to the voice of common sense and reason, and accept this satisfactory
explanation.'"
Public-domain text, read in full here on John Shaqi.
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