George opened his mouth to speak, but found that nothing came. It _was_
a regular job, it satisfied his ambitions, and her objections were
inexplicable. He had shot his bolt and, having no more to say, he went,
relapsing to such invertebracy that when he found that Mrs. Whitehead
had not added the other blanket to his bed he had nothing to say to her
either, but spread a threadbare overcoat on the coverlet and shivered
unhappily to sleep.
CHAPTER III--THE HELL-PIKE CLUB
|TO a schoolboy of sixteen, love is an imbecile emotion, its victims
harmless lunatics, and it is not to be supposed that Sam’s interest in
the affair of Madge and George was based on intimate understanding. His
conspiratorial action came rather as a lark: behind, perhaps, was the
recognition that adults did habitually make fools of themselves in
this way, that his loyalty in such a case was to Madge who was of his
generation, and that Anne in obstructing their marriage was outrunning
the constable in her demands for self-sacrifice on his behalf.
Larking, defined as enjoyable interference with other people for
motives either benevolent or purely egotistic, was a weakness of Samuel
Branstone, and the boy was father to the man. He did not agree with Anne
that the marriage was inimical to his interests. True, George cleaned
windows and balanced hardily at the top of swaying ladders, a precarious
trade, but his own. Apparently it suited the Georgian temperament, and
that funambulist would not wear a placard on his back proclaiming that
he was brother-in law to Branstone of the Classical Fifth.
Branstone, who was going to rise in the world, would necessarily have
poor relations, and it hardly mattered how poor. Indeed, the poorer they
were the more cheaply he could afterwards play providence to them, since
their standards would be low and their expectations small.
So it wasn’t a nice, impulsive lark, but coldblooded and calculated,
which is almost as objectionable in a lark as organization in Charity.
It is prudent good intentions that pave the way to Hell.
He saw that there was a difference between this and the elopements
of that romantic literature with which he busied his relaxed hours:
sometimes the lady, but always the lover, was enterprising, while he
knew that George could never instigate anything. But that made things
more amusing for Sam, who could pull strings with absolute assurance
that his puppets would never take to dancing on their own account, or
to any tune but the one he piped; and it is not given to all of us to be
Omnipotence at the price of a ten-pound note.
As always, Sam had luck. In the romantic elopements whose technique he
began to study with new interest, money was never a difficulty, but the
god in the machine of George Chappie’s elopement must put money in his
purse, or there could be no elopement.
Public-domain text, read in full here on John Shaqi.
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