He had long passed beyond Anne’s powers of tuition. It was not a
“sound commercial education” that one got on the Classical side, and
mathematics had ceased to figure in his course. He went to the Classical
side because Lance was there and stayed because of Anne’s golden dream
of Oxford. The gold, she knew, was tarnished now, but if she no longer
saw in Sam the winner of an open scholarship at Balliol, she had not
abandoned hope that he might carry off one of the close scholarships
which the School commanded. Sam himself was sceptical about even that
qualified ambition.
But he had to win a prize to satisfy Anne, and if he could not win the
prize of which she was thinking, he would try to win one of which she
did not think. It was certainly a prize, and a handsome prize, open not
only to a form but to the whole school--a prize for reading.
He had a secondary spur, too, in the fact that Lance, that ardent
elocutionist, looked on this prize as his own, and the thought of
beating Lance on his chosen ground tickled Sam’s fancy. Not that he
was cocksure. He knew his handicap too well for that, but he had always
known it, and from the first day of his school life studied to correct
his accent. He did not, even now, even at the price of being thought
pedantic, indulge in slang. Lance, perhaps because he came from a
motherless home, perhaps from a stupid bravado, larded his speech with
silly blasphemies and the current vulgarisms, and, in fact, he did it
with an air; but Sam had to guard his tongue. There is a difference, too
easily detected, between correct slang and incorrect English: one must
first speak correctly before one can dare successfully to be incorrect,
and Sam’s handicap was that he came from a home where they used, in
Sarah Pullen’s words, “the sort of English we speak in Manchester;”
the other sort was an alien tongue and held to be an affectation of the
insincere.
There was a set piece--the opening speech in _Comus_--the inefficients
were weeded out, and the elect tested on “unseens.” It was the “unseens”
that frightened Sam: he rehearsed _Comus_ till a misplaced aitch was
a physical impossibility, and he was sure of his rhythm and the
intelligence of his rendering; but he knew that aitches were elusive
when he was nervous. “Then don’t be nervous,” was counsel of perfection:
the ordeal of the “unseen” test intimidated him.
But he practised, and did not spare himself. If sweat and blood
would win that prize, Sam would spend both. He read aloud by the
hour--classics of course suffering--with a pin in his hand with which he
resolutely drew blood at every aitch he dropped; and in his reading he
was fortunate. He read _The Spectator_ which he had borrowed by pure
chance from the school library, and the judges handed him a passage
from _The Spectator_ to read at the unseen test, and one of the great
speeches of Marlowe’s _Tamburlaine_, whose thundering music had so much
attracted Sam that he knew the purple patch by heart.
Public-domain text, read in full here on John Shaqi.
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