He was cast, as winner of the reading prize, for the Christmas play.
He, Sam Branstone, was to act Shylock at the Conversazione, whilst Lance
Travers was given Bassanio--salt on the still bleeding wound of his
defeat. Greek Tragedy interested Sam no more. He saw Irving’s Shylock
from the gallery of the Theatre Royal, and, for comparative purposes,
Benson’s. He haunted Cheetham Hill, observing Jewish “types.” He came
to the first rehearsal, like any other novice, knowing every line of his
part--and had painfully to unlearn and relearn under the direction of
the brisk little mathematics master who took the play-in hand.
Anne screened her pride in this distinction. Play-acting was, in any
case, questionable, too newly come to respectable estate to be accepted
unreservedly. But, in secret, she determined that she would be one of
Sam’s audience and Tom another.
Parents were invited to the Conversazione--that was what conversaziones
were for--but Anne and Tom had never accepted the invitation before. It
implied evening dress.
She decided that she could “manage” with her Sunday dress and two yards
of lace; but Tom, too, must be there, and Tom must not shame Sam. She
thought she saw a way.
“Nay, nay,” said Tom, “I couldn’t do it, lass. I’d never dare.”
“You should have thought of that before you became Sam’s father,” she
replied. “I’m going to see him and I’ll none go alone. You’re coming
with me. I reckon Mr. O’Rourke will be in to-night as usual.”
“Aye,” said Tom, suspecting nothing.
One basis of his friendship with O’Rourke was that their evenings off
happened to coincide, Tom’s from Victoria Station and Terry’s from
the old-fashioned commercial hotel in Mosley Street, where he was an
institution. Terry was a waiter, but Tom had not yet seen the connection
between his friend’s profession and the Grammar School Conversazione. He
was never very bright.
Terry had a hard head and a professional style, rather like a successful
doctor’s bed-side manner, which wheedled more tips from commercial
travellers than they gave at any other hotel in their rounds, but he had
a sunken vein of poetic superstition and, when Anne interrupted them, he
was explaining to Tom that he tolerated the Royal Hotel because he
could see from its window the green of the grass outside the Infirmary.
Manchester was Manchester because it lacked grass. The “good folk”
couldn’t dance on granite sets: only on grass did one find fairy-rings
and only where grass abounded were people blessed.
“You’ll not be wanting your dress-clothes next Wednesday night, I
reckon,” said Anne, breaking in without apology.
“Why, no, Mrs. Branstone,” he said. “Wednesday’s the night when I dress
like the public. I’ve gone into a strange hotel and been mistaken for an
ordinary customer on a Wednesday night.”
“Then you’ll maybe not object to lending Tom your clothes next week. I
want him to be mistaken for a swell.”
“There’s a shine on them,” objected Terry, “that you can see your face
in.”
Public-domain text, read in full here on John Shaqi.
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