The Mariner of St. Malo : A chronicle of the voyages of Jacques Cartier — John Shaqi
The Mariner of St. Malo : A chronicle of the voyages of Jacques CartierLeacock, Stephen
History
The Mariner of St. Malo : A chronicle of the voyages of Jacques Cartier
Leacock, Stephen
America -- Discovery and exploration -- French; Cartier, Jacques, 1491-1557; New France -- Discovery and exploration
'Our captain answered,' writes Cartier in his narrative, 'that he was
content: and by and by he commanded his men to shoot off twelve cannons
into the wood that was hard by the people and the ships, at which noise
they were greatly astonished and amazed, for they thought the heaven
had fallen upon them, and put themselves to flight, howling, crying and
shrieking, so that it seemed hell was broken loose.'
Next day the Indians made one more attempt to dissuade Cartier from his
journey. Finding that persuasion and oratory were of no avail, they
decided to fall back upon the supernatural and to frighten the French
from their design. Their artifice was transparent enough, but to the
minds of the simple savages was calculated to strike awe into the
hearts of their visitors. Instead of coming near the ships, as they had
done on each preceding day, the Indians secreted themselves in the
woods along the shore. There they lay hid for many hours, while the
French were busied with their preparations for departure. But later in
the day, when the tide was running swiftly outward, the Indians in
their canoes came paddling down the stream towards the ships, not,
however, trying to approach them, but keeping some little distance away
as if in expectation of something unusual.
The mystery soon revealed itself. From beneath the foliage of the river
bank a canoe shot into the stream, the hideous appearance of its
occupants contrasting with the bright autumn tints that were lending
their glory to the Canadian woods. The three Indians in the canoe had
been carefully made up by their fellows as 'stage devils' to strike
horror into Cartier and his companions. They were 'dressed like devils,
being wrapped in dog skins, white and black, their faces besmeared as
black as any coals, with horns on their heads more than a yard long.'
The canoe came rushing swiftly down the stream, and floated past the
ships, the 'devils' who occupied the craft making no attempt to stop,
not even turning towards the ships, but counterfeiting, as it were, the
sacred frenzy of angry deities. The devil in the centre shouted a
fierce harangue into the air. No sooner did the canoe pass the ships
than Donnacona and his braves in their light barques set after it,
paddling so swiftly as to overtake the canoe of the 'devils' and seize
the gunwale of it in their hands.
Public-domain text, read in full here on John Shaqi.
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