One incident in his school career he never forgot. It began with pea-shooters, and ended with a tragedy. One morning, as the venerable professor of rhetoric, Père Lejay,[60] entered the class-room, he was received with a raking fire of peas. The culprit platoon consisted of the Duc de Boufflers, Count d'Argenson, and his faithful apparitor, Marc Pierre. Boufflers received a flogging, and died from the effect of it. His father was only a duke. But when it came to the sons of M. d'Argenson, the retributive rod was stayed by the timely remembrance of that dark and dangerous person: Jesuitical discretion came into play,[61] and the youthful malefactors escaped. It is curious that the brothers should have lived, the one to be the powerful patron of the Jesuits, the other to attack them, for the eyes of posterity, with a weapon which carries further than a "Sarbacane." But the young Count d'Argenson was not long to trouble the repose of his spiritual task-masters. He was to complete his education in another school, deemed no less necessary to the training of the whole and perfect man. From the sallow austerity of the reverend fathers, with their hard beds and their unspeakable soup, he passed to the gracious converse of ladies' society, where knowledge was savoured with a joyous sweetness, and where the rewards of success were great indeed. Dreaming long afterwards of the year 1712 and of the gallantries of that golden age, he sighs regretfully over the hearts that fell, and over those that might have fallen had the siege been pressed. "What a fool I was not to have profited by them! I have repented at leisure."[62] A votary of pleasure, he was never its slave; and an event was approaching which was soon to engage him in the more sober interests of life. On the morning of September 1st, 1715, the eyelids of the Grand Monarque closed upon a long and fateful chapter in French history; and the hearts of men beat high again with the generous hopes of a newer time. France, and the humblest of her children, d'Argenson, had reached the parting of the ways. The "epic of royalty"[63] was over; the epic of revolution was about to begin. In the development of the drama d'Argenson was to bear a modest, but no mean part. He was now twenty-one. The time for dreaming had passed away; the time for action was at hand. On the threshold of his career, we may pause to gather up those early half-conscious political impressions, which, in the case of quick-minded men, have a real, if only half-recognised, influence upon the direction of future thought.