The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893Ogle, Arthur
History
The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893
Ogle, Arthur
Argenson, René-Louis de Voyer, marquis d', 1694-1757
"I assure you, Rouillon (Réveillon) is becoming a fine house. In a
gallery on the wing will be my library, with a little reading-room at
one end, plenty of desks, sofas, cushions, upholstery in morocco--all
the novelties of Holland; and from the windows a vista of avenues,
kitchen gardens, woods, meadows, sheep. Won't you be charmed with it
when you are at Paris this summer?" (August 8, 1722).[106]
His occasional reference to "le cadet" is interesting, in the light
of their subsequent relations. With a touch of good-natured envy he
remarks, "My brother is surpassing himself as Chief of Police. He is
a perfect courtier; in that regard he has nothing to learn" (August
8, 1722).[107] Perhaps indeed the most precious thing about these
letters is the light they throw upon the real character of the younger
brother, and on d'Argenson's subsequent portrait of him. A comparison
of the young "Chevalier" who writes over his own signature, with the
eternal "Mon Frère" of d'Argenson's Journal, enables us to estimate
the personal equation in d'Argenson's political criticism. It tends
to suggest that the impression of high colouring, exaggeration,
unfairness, which is left by the perusal of many of his more trenchant
pages, is due, not to the intrinsic falsity of his judgments, but to
the violence and heat with which they are pronounced. We see that to
many of his indictments the question, "Well! what of it? how could
he help it?" would have been at least a valid reply; and we suspect
that had d'Argenson judged his own contemporaries with that same
deep-sounding charity which, after a century and a half, one can claim
no credit for applying to himself, we should have been spared much of
that bitterness which he expends so lavishly upon the men of his time,
and above all upon his brother, Count d'Argenson. So far as one can
see, the truth was this. Marc Pierre was his mother's son, the blood
of the Caumartins in every vein.[108] In him the rough-hewn strength
of the d'Argenson character was fashioned to a form of lightness and
grace; and losing in massiveness, it gained in charm. He had his
father's strength without his seriousness; his power of work without
his love of it. He impressed his contemporaries[109] by his singular
union of facile effectiveness with absolute unconcern. Such a passage
as this, which appears in a letter of 1715,[110] needed no signature
for identification.
Public-domain text, read in full here on John Shaqi.
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