The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893 — John Shaqi
The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893Ogle, Arthur
History
The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893
Ogle, Arthur
Argenson, René-Louis de Voyer, marquis d', 1694-1757
We shall meet again with this amiable weakness for explaining his
failures by reasons which are less correct than they are complimentary
to himself. Even yet he did not give up hope. His marriage with
Mademoiselle Méliand had given him a right to expect the reversion
of the Intendancy of Lille.[138] He now tried to arrange for its
transference to him; but M. Méliand drove a hard bargain and the
negotiation fell through.
We now reach one of the turning-points in d'Argenson's life. Never
was a man more commendably eager to distinguish himself, to play his
part in the world, and to preserve an honourable name in honour by
contributing his share towards the "Bien Public." He now saw himself,
chiefly through his own lack of patient adroitness, banished to the
obscurity of private life. He found misfortune a stern mistress, but
her lessons were as worth learning as they were hard to learn. It was
indeed at this time of disappointment that his mind became imbued
with what is rarest and greatest in his political thought. While his
brother, in the Orléans household, strove, by all the arts of which
he was a master, to win his way back to power, d'Argenson withdrew
entirely from the scene. He called to mind the words of his father,
that "a lofty and ambitious man will have all or nothing;" and, in M.
Aubertin's phrase, he became content with nothing that he might have
all. For some years we hear nothing of him; it is only in 1731 that
he again appears upon the scene under the protection of the minister
Chauvelin.
His life in the interval must be reserved for another chapter. In
the present, but one word remains to be said; it is perhaps the most
important of all.
Public-domain text, read in full here on John Shaqi.
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