The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893Ogle, Arthur
History
The Marquis D'Argenson: A Study in Criticism: Being the Stanhope Essay: Oxford, 1893
Ogle, Arthur
Argenson, René-Louis de Voyer, marquis d', 1694-1757
At the climax of the Grand Age, ere the slope of Avernus had yet begun,
the King's justice was administered in the district of Angoulême by as
strange a magistrate as ever shocked the susceptibilities of a court.
He was in the prime of life, tall, dark, with striking features, and
a glance that was charming and might be terrible. A strange figure
did he make in that district court of Angoulême, as he sat dispensing
justice quick and plentiful, patching up suits, cutting down fees,
driving a vigorous pen through venerable formalities, and fondling
the muzzle of his great hound, who sat blinking placidly upon the
fuming functionaries, without the faintest sense of his unwarrantable
intrusion.[14] So things went on until, in 1694, a special commission
for the reform of abuses in the administration of justice appeared
in Angoulême. My lords discovered, probably with equal surprise, the
absence of abuses, and the presence of an extraordinary man. Of his
capacity as a magistrate they had ample evidence before them; and the
lighter experiences of a commission on circuit were sufficient to
convince them that M. d'Argenson was excellent company, a man brimful
of life and energy, whose wit sparkled with his wine.[15] To leave
him to rust in a provincial court was of course out of the question.
He was plied with hearty invitations to Paris and generous promises
of service. "As a matter of fact, my father was not an ambitious
man";[16] and it was only after much solicitation that he was decoyed
to the capital, and introduced by M. de Caumartin, his friend of the
commission, to the reigning Controller-General. Three years afterwards,
at the age of thirty-nine, he was appointed chief of the Parisian
police; and for twenty years and more, from the time of Ryswick to
well on in the Regency, he became "the soul, always in action, scarcely
ever in evidence,"[17] the soul of the great metropolis.
Public-domain text, read in full here on John Shaqi.
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