Had Paul the coolness, firmness, and judgment required for this struggle, which an able husband ought not to let the wife suspect? Did Natalie love Paul? Like most young girls, Natalie mistook for love the first emotions of instinct and the pleasure she felt in Paul’s external appearance; but she knew nothing of the things of marriage nor the demands of a home. To her, the Comte de Manerville, a rising diplomatist, to whom the courts of Europe were known, and one of the most elegant young men in Paris, could not seem, what perhaps he was, an ordinary man, without moral force, timid, though brave in some ways, energetic perhaps in adversity, but helpless against the vexations and annoyances that hinder happiness. Would she, in after years, have sufficient tact and insight to distinguish Paul’s noble qualities in the midst of his minor defects? Would she not magnify the latter and forget the former, after the manner of young wives who know nothing of life? There comes a time when wives will pardon defects in the husband who spares her annoyances, considering annoyances in the same category as misfortunes. What conciliating power, what wise experience would uphold and enlighten the home of this young pair? Paul and his wife would doubtless think they loved when they had really not advanced beyond the endearments and compliments of the honeymoon. Would Paul in that early period yield to the tyranny of his wife, instead of establishing his empire? Could Paul say, “No?” All was peril to a man so weak where even a strong man ran some risks. The subject of this Study is not the transition of a bachelor into a married man,--a picture which, if broadly composed, would not lack the attraction which the inner struggles of our nature and feelings give to the commonest situations in life. The events and the ideas which led to the marriage of Paul with Natalie Evangelista are an introduction to our real subject, which is to sketch the great comedy that precedes, in France, all conjugal pairing. This Scene, until now singularly neglected by our dramatic authors, although it offers novel resources to their wit, controlled Paul’s future life and was now awaited by Madame Evangelista with feelings of terror. We mean the discussion which takes place on the subject of the marriage contract in all families, whether noble or bourgeois, for human passions are as keenly excited by small interests as by large ones. These comedies, played before a notary, all resemble, more or less, the one we shall now relate, the interest of which will be far less in the pages of this book than in the memories of married persons. CHAPTER III. THE MARRIAGE CONTRACT--FIRST DAY