France -- Social life and customs -- Fiction; French fiction -- Translations into English; Marriage -- Fiction
When the slender, fair-haired Solonet, curled, perfumed, and booted like
the leading gentleman at the Vaudeville, and dressed like a dandy whose
most important business is a duel, entered Madame Evangelista’s salon,
preceding his brother notary, whose advance was delayed by a twinge
of the gout, the two men presented to the life one of those famous
caricatures entitled “Former Times and the Present Day,” which had such
eminent success under the Empire. If Madame and Mademoiselle Evangelista
to whom the “good Monsieur Mathias,” was personally unknown, felt, on
first seeing him, a slight inclination to laugh, they were soon touched
by the old-fashioned grace with which he greeted them. The words he used
were full of that amenity which amiable old men convey as much by the
ideas they suggest as by the manner in which they express them. The
younger notary, with his flippant tone, seemed on a lower plane. Mathias
showed his superior knowledge of life by the reserved manner with which
he accosted Paul. Without compromising his white hairs, he showed that
he respected the young man’s nobility, while at the same time he claimed
the honor due to old age, and made it felt that social rights are
natural. Solonet’s bow and greeting, on the contrary, expressed a sense
of perfect equality, which would naturally affront the pretensions of
a man of society and make the notary ridiculous in the eyes of a
real noble. Solonet made a motion, somewhat too familiar, to Madame
Evangelista, inviting her to a private conference in the recess of
a window. For some minutes they talked to each other in a low voice,
giving way now and then to laughter,--no doubt to lessen in the minds of
others the importance of the conversation, in which Solonet was really
communicating to his sovereign lady the plan of battle.
“But,” he said, as he ended, “will you have the courage to sell your
house?”
“Undoubtedly,” she replied.
Madame Evangelista did not choose to tell her notary the motive of this
heroism, which struck him greatly. Solonet’s zeal might have cooled had
he known that his client was really intending to leave Bordeaux. She had
not as yet said anything about that intention to Paul, in order not to
alarm him with the preliminary steps and circumlocutions which must be
taken before he entered on the political life she planned for him.
After dinner the two plenipotentiaries left the loving pair with
the mother, and betook themselves to an adjoining salon where their
conference was arranged to take place. A dual scene then followed on
this domestic stage: in the chimney-corner of the great salon a scene of
love, in which to all appearances life was smiles and joy; in the other
room, a scene of gravity and gloom, where selfish interests, baldly
proclaimed, openly took the part they play in life under flowery
disguises.
Public-domain text, read in full here on John Shaqi.
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