The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
“There goes the first dinner-bell, Miss Martin,” said Repton, gayly.
“I'm resolved to be in the drawing-room before you!” And with this he
hopped briskly upstairs, while Mary hastened to her room to dress.
CHAPTER XV. “A RUINED FORTUNE”
No stronger contrast could be presented than that offered by the house
which called Mr. Magennis master, to all the splendor and elegance
which distinguished Cro' Martin. Built on the side of a bleak, barren
mountain, without a trace of cultivation,--not even a tree beside
it,--the coarse stone walls, high pitched roof, and narrow windows
seemed all devised in some spirit of derision towards its graceful
neighbor. A low wall, coped with a formidable “frieze” of broken bottles
and crockery, enclosed a space in front once destined for a garden, but
left in its original state of shingle, intermixed with the remnants of
building materials and scaffold planks. A long shed, abutting on the
house, sheltered a cow and a horse; the latter standing with his head
above a rickety half-door, and looking ruefully out at the dismal
landscape beneath him.
Most of the windows were broken,--and in some no attempt at repair
had been made,--indicating that the rooms within were left unused. The
hall-door stood ajar, but fastened by a strong iron chain; but the roof,
more than all besides, bespoke decay and neglect, the rafters being in
many places totally bare, while in others some rude attempts at tiling
compensated for the want of the original slates. A strong colony of
jackdaws had established themselves in one of the chimneys; but from
another, in the centre of the building, a thick volume of dark-blue
smoke rolled continually, conveying, indeed, the only sign of habitation
about this dreary abode.
The inside of the house was, if possible, more cheerless than the out.
Most of the rooms had never been finished, and still remained in their
coarse brown plaster, and unprovided with grates or chimney-pieces.
The parlor, _par excellence_, was a long, low-ceilinged chamber, with
yellow-ochre walls, dimly lighted by two narrow windows; its furniture,
a piece of ragged carpet beneath a rickety table of black mahogany, some
half-dozen crazy chairs, and a small sideboard, surmounted by something
that might mean buffet or bookcase, and now served for both, being
indifferently garnished with glasses, decanters, and thumbed volumes,
intermingled with salt-cellars, empty sauce-bottles, and a powder-flask.
An atrociously painted picture of an officer in scarlet uniform hung
over the fireplace, surmounted by an infantry sword, suspended by a
much-worn sash. These were the sole decorations of the room, to which
even the great turf fire that blazed on the hearth could not impart a
look of comfort.
Public-domain text, read in full here on John Shaqi.
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