The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
It was now a little after nightfall; the shutters were closed, and
two attenuated tallow candles dimly illuminated this dreary chamber.
A patched and much discolored tablecloth, with some coarse knives and
forks, bespoke preparation for a meal, and some half-dozen plates stood
warming before the fire. But the room had no occupant; and, except
for the beating of the shutters against the sash, as the wind whistled
through the broken window, all was silent within it. Now and then a loud
noise would resound through the house; doors would bang, and rafters
rattle, as the hall-door would be partially opened to permit the head of
a woman to peer out and listen if any one were coming; but a heavy
sigh at each attempt showed that hope was still deferred, and the weary
footfall of her steps, as she retired, betrayed disappointment. It was
after one of these excursions that she sat down beside the kitchen
fire, screening her face from the blaze with her apron, and then, in the
subdued light, it might be seen that, although bearing many traces of
sorrow and suffering, she was still young and handsome. Large masses of
the silkiest brown hair, escaping from her cap, fell in heavy masses
on her neck; her eyes were large and blue, and shaded by the longest
lashes; her mouth, a little large, perhaps, was still beautifully
formed, and her teeth were of surpassing whiteness. The expression
of the whole face was of gentle simplicity and love,--love in which
timidity, however, deeply entered, and made the feeling one of acute
suffering. In figure and dress she was exactly like any other peasant
girl, a gaudy silk handkerchief on her neck being the only article
of assumed luxury in her costume. She wore shoes, it is true,--not
altogether the custom of country girls,--but they were heavy and
coarsely made, and imparted to her walk a hobbling motion that detracted
from her appearance.
A large pot which hung suspended by a chain above the fire seemed to
demand her especial care, and she more than once removed the wooden
cover to inspect the contents; after which she invariably approached the
window to listen, and then came back sorrowfully to her place, her lips
muttering some low sounds inaudibly. Once she tried to hum a part of a
song to try and beguile the time, but the effort was a failure, and, as
her voice died away, two heavy tears stole slowly along her cheeks,
and a deep sob burst from her; after which she threw her apron over her
face, and buried her head in her lap. It was as she sat thus that a loud
knocking shook the outer door, and the tones of a gruff voice rose even
above the noise; but she heard neither. Again and again was the summons
repeated, with the same result; and at last a handful of coarse gravel
struck the kitchen window with a crash that effectually aroused her, and
springing up in terror, she hastened to the door.
Public-domain text, read in full here on John Shaqi.
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