The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
The unlucky masterpiece was doomed to many a difficulty. The great
events in prospect had totally banished all thought of “art” from Lady
Dorothea's mind. The fall of a recent administration was a far more
imminent circumstance than the abdication of a king a few centuries
back. Martin, of course, had enough on his head, without the cares of
mock royalty. Mary was overwhelmed with occupations. The floods and
a threatened famine were casualties not to be overlooked; and she was
absent every day from dawn to late night; while, to complete the list
of defaulters, young Nelligan--the future Prince of Orange of the
picture--was gone!
Men deplore their past youth, their bygone buoyancy of heart, their old
loves and extinct friendships; but of all departed pleasures, there is a
peculiar poignancy about one, and that is an artist's grief over a “lost
sitter.” You ladies and gentlemen whose thumbs have never closed on
a palette, nor whose fingers have never felt the soft influence of
varnish, may smile at such a sorrow, but take my word for it, it is a
real and tangible affliction.
The waving locks, the noble brow; the deep square orbits, and the finely
cut chin are but the subtle suggestions out of which inspirations are
begotten, and poetic visions nurtured. The graceful bearing and the
noble port, the tender melancholy or the buoyant gladness, have each
in turn struck some chord of secret feeling in the artist's breast,
revealing to him new ideas of beauty, and imparting that creative power
which displays itself in new combinations.
Poor Simmy Crow was not a Titian nor a Vandyke, but unhappily the
sorrows of genius are very often experienced by those who are not gifted
with its greatness; and the humble aspirant of excellence can catch
every malady to which the triumphant in all the wild enthusiasm of his
powers is exposed. He sat down before his canvas, as some general might
before a fortified town which had resisted all his efforts of attack. He
was depressed and discouraged.
The upper part of the young student's head was already half finished,
and there was enough done to impart a kind of promise of success,--that
glorious vista which opens itself so often in imagination to those whose
world is but their own fancy. He half thought he could finish it from
memory; but before he had proceeded many minutes, he laid down the
brush in despair. It seemed like a fatality that something must always
interpose to bar the road to success. One time it was sickness, then
it was poverty; a disparaging criticism had even done it; and now, when
none of these threatened, there arose a new impediment. “Ah! Simmy,
Simmy,” he exclaimed aloud, “you were born under an unkindly planet.
That's the secret of it all!”
Public-domain text, read in full here on John Shaqi.
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