The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
“I confess I cannot concur in that opinion,” said a low, soft voice
behind him. He started up, and beheld Kate Henderson, who, leaning
on the back of a chair, continued to gaze steadfastly at the canvas,
perfectly regardless of his astonishment. “There is a great deal to
admire in that picture!” said she, as though talking to herself.
Simmy crept stealthily back, and stationed himself behind her, as if to
hear her remarks, while viewing the picture from the same point.
“You have grouped your figures admirably,” continued she, now addressing
him, “and your management of the light shows a study of Rembrandt.”
“Very true, ma'am--miss, I mean. I have copied nearly all his great
pieces.”
“And the drapery--that robe of the King's--tells me that you have
studied another great master of color--am I right, sir, in saying Paul
Veronese?”
Simmy Crow's face glowed till it became crimson, while his eyes sparkled
with intense delight.
“Oh, dear me!” he exclaimed, “is n't it too much happiness to hear this?
and only a minute ago I was in black despair!”
“Mine is very humble criticism, sir; but as I have seen good pictures--”
“Where? In the galleries abroad?” broke in Crow, hurriedly.
“All over Germany and Italy. I travelled with those who really cared
for and understood art. But to come back to yours--that head is a noble
study.”
“And that's exactly what I'm grieving over,--he's gone.”
“Young Mr. Nelligan?”
“Himself. He started this morning for Oughterard.”
“But probably to return in a day or two.”
Crow looked stealthily around to see if he were not likely to be
overheard, and then, approaching Kate, said in a whisper,--
“I don't think he 'll ever cross the doors again.”
“How so? has he received any offence?”
“I can't make out what it is,” said Simmy, with a puzzled look, “but he
came to my room late last night, and sat down without saying a word; and
at last, when I questioned him if he were ill, he said suddenly,--
“'Have you found, Mr. Crow, that in your career as an artist, you have
been able to withdraw yourself sufficiently from the ordinary events
of life as to make up a little world of your own, wherein you lived
indifferent to passing incidents?'
“'Yes,' said I, 'I have, whenever I was doing anything really worth the
name.'
“'And at such times,' said he, again, 'you cared nothing, or next to
nothing, for either the flatteries or the sarcasms of those around you?”
“'I could n't mind them,' said I, 'for I never so much as heard them.'
“'Exactly what I mean,' said he, rapidly. 'Intent upon higher ambitions,
you were above the petty slights of malice or envy, and with your
own goal before you, were steeled against the minor casualties of the
journey. Then why should not I also enjoy the immunity? Can I not summon
to my aid a pride like this, or am I to be discouraged and disgraced to
my own heart by a mere impertinence?'
“I stared at him, not guessing what he could mean.
Public-domain text, read in full here on John Shaqi.
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