The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
Mrs. Cronan was eminently genteel,--that is to say, she spent her life
in unceasing lamentations over the absence of certain comforts “she
was always used to,” and passed her days in continual reference to some
former state of existence, which, to hear her, seemed almost borrowed
bodily out of the “Arabian Nights.” Then there was Captain Bodkin, of
the Galway Fencibles,--a very fat, asthmatic old gentleman, who came
down to the “salt water” every summer for thirty years, fully
determined to bathe, but never able to summon courage to go in. He was
a kind-hearted, jolly old fellow, who loved strong punch and long whist,
and cared very little how the world went on, if these enjoyments were
available.
Then there was Miss Busk, a very tall, thin, ghostly personage, with a
pinkish nose and a pinched lip, but whose manners were deemed the very
type of high breeding, for she courtesied or bowed at almost
minute intervals during an “Evening,” and had a variety of personal
reminiscences of the Peerage. She was of “an excellent family,” Mrs.
Cronan always said; and though reduced by circumstances, she was the
Swan and Edgar of Oughterard,--“was company for the Queen herself.”
The fourth hand in the whist-table was usually taken by Mrs. Nelligan,
wife of “Pat Nelligan,” the great shopkeeper of Oughterard, and who,
though by no means entitled on heraldic grounds to take her place in any
such exalted company, was, by the happy accident of fortune, elevated to
this proud position. Mrs. Nelligan being unwell, her place was, on the
present occasion, supplied by her son; and of him I would fain say a few
words, since the reader is destined to bear company with him when the
other personages here referred to have been long forgotten.
Joseph Nelligan was a tall, pale young fellow who, though only just
passed twenty-two, looked several years older; the serious, thoughtful
expression of his face giving the semblance of age. His head was large
and massively shaped, and the temples were strong and square, deeply
indented at the sides, and throwing the broad, high forehead into
greater prominence; dark eyes, shaded by heavy, black eyebrows, lent
an almost scowling character to a face which, regular in feature, was
singularly calm and impassive-looking. His voice was deep, low, and
sonorous, and though strongly impressed with the intonation of his
native province, was peculiarly soft, and, to Irish ears, even musical.
He was, however, remarkably silent; rarely or never conversed, as his
acquaintances understood conversation, and only when roused by some
theme that he cared for, or stimulated by some assertion that he
dissented from, was he heard to burst forth into a rapid flow of words,
uttered as though under the impulse of passion, and of which, when
ended, he seemed actually to feel ashamed himself.
Public-domain text, read in full here on John Shaqi.
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