The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
Some of the apartments displayed massive specimens of that richly carved
old oak furniture for which the châteaux of the Low Countries were
famed; others abounded with inlaid consoles and costly tables of
“marqueterie,” and others again exhibited that chaste white and gold
which characterized the splendid era of the Regency in France. Great
jars of Sèvres, those splendid mockeries of high art, stood in the
windows, whose curtains were of the heaviest brocade. Carpets of soft
Persian wool covered the floors, and rich tapestries were thrown over
sofas and chairs with a careless grace, the very triumph of picturesque
effect.
In the scrupulous neatness of all these arrangements, in the orderly
air, the demure and respectful bearing of the servants as they showed
the castle to strangers, one might read the traces of a strict and
rigid discipline,--features, it must be owned, that seemed little
in accordance with the wild region that stretched on every side. The
spotless windows of plate-glass, the polished floor that mirrored every
chair that stood on it, the massive, and well-fitting doors, the richly
gilded dogs that shone within the marble hearth, had little brotherhood
with the dreary dwellings of the cottiers beyond the walls of the park;
and certainly even Irish misery never was more conspicuous than in that
lonely region.
It was early on a calm morning of the late autumn that the silent
courtyard of the castle resounded with the sharp quick tramp of a horse,
suddenly followed by a loud shrill whistle, as a young girl, mounted
upon a small but highly bred horse, galloped up to one of the back
entrances. Let us employ the few seconds in which she thus awaited, to
introduce her to the reader. Somewhat above the middle size, and with
a figure admirably proportioned, her face seemed to blend the joyous
character of happy girlhood with a temperament of resolute action. The
large and liquid hazel eyes, with their long dark fringes, were almost
at variance with the expression of the mouth, which, though finely and
beautifully fashioned, conveyed the working of a spirit that usually
followed its own dictates, and as rarely brooked much interference.
Shaded by a broad-leaved black hat, and with a braid of her dark auburn
hair accidentally fallen on her shoulder, Mary Martin sat patting the
head of the wire-haired greyhound who had reared himself to her side,--a
study for Landseer himself. Scarcely above a minute had elapsed, when
several servants were seen running towards her, whose hurried air
betrayed that they had only just risen from bed.
“You're all very late to-day,” cried the young lady. “You should have
been in the stables an hour ago. Where 's Brand?”
“He 's gone into the fair, miss, with a lot of hoggets,” said a little
old fellow with a rabbit-skin cap, and a most unmistakable groom
formation about the knees and ankles.
Public-domain text, read in full here on John Shaqi.
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