The Martins Of Cro' Martin, Vol. II (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. II (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
Produced by David Widger
THE MARTINS OF CRO' MARTIN
By Charles Lever
With Illustrations By Phiz.
In Two Volumes
Vol. II.
Boston: Little, Brown, And Company.
1906
THE MARTINS OF CRO' MARTIN.
CHAPTER I. MR. HERMAN MERL
This much-abused world of ours, railed at by divines, sneered down by
cynics, slighted by philosophers, has still some marvellously pleasant
things about it, amongst which, first and foremost, _facile princeps_,
is Paris! In every other city of Europe there is a life to be learned
and acquired just like a new language. You have to gain the acquaintance
of certain people, obtain admission to certain houses, submit yourself
to ways, habits, hours, all peculiar to the locality, and conform to
usages in which--at first, at least--you rarely find anything beyond
penalties on your time and your patience. But Paris demands no such
sacrifices. To enjoy it, no apprenticeship is required. You become
free of the guild at the Porte St. Denis. By the time you reach the
Boulevards you have ceased to be a stranger. You enter the “Frères” at
dinner hour like an old habitué. The atmosphere of light, elastic gayety
around you, the tone of charming politeness that meets your commonest
inquiry, the courtesy bestowed upon your character as a foreigner, are
all as exhilarating in their own way as your sparkling glass of Moët,
sipped in the window, from which you look down on plashing fountains,
laughing children, and dark-eyed grisettes! The whole thing, in its
bustle and movement, its splendor, sunlight, gilded furniture,
mirrors, and smart toilettes, is a piece of natural magic, with this
difference,--that its effect is ever new, ever surprising!
Sad and sorrowful faces are, of course, to be met with, since grief has
its portion everywhere; but that air of languid indifference, that
look of wearied endurance, which we characterize by the classic term of
“boredom,” is, indeed, a rare spectacle in this capital; and yet now
at the window of a splendid apartment in the Place Vendôme, listlessly
looking down into the square beneath, stood a young man, every line
of whose features conveyed this same expression. He had, although not
really above twenty-four or twenty-five, the appearance of one ten
years older. On a face of singular regularity, and decidedly handsome,
dissipation had left its indelible traces. The eyes were deep sunk,
the cheeks colorless, and around the angles of the mouth were those
tell-tale circles which betray the action of an oft-tried temper, and
the spirit that has gone through many a hard conflict. In figure he was
very tall, and seemed more so in the folds of a long dressing-gown
of antique brocade, which reached to his feet; a small, dark green
skull-cap, with a heavy silver tassel, covered one side of his head, and
in his hand he held a handsome meerschaum, which, half mechanically, he
placed from time to time to his lips, although its bowl was empty.
Public-domain text, read in full here on John Shaqi.
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