The Martyrdom of MadelineBuchanan, Robert Williams
General
The Martyrdom of Madeline
Buchanan, Robert Williams
Fiction
THE MARTYRDOM OF MADELINE
By Robert Buchanan
With A Frontispiece By A. W. Cooper
London: Chatto & Windus, Piccadilly
1889
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PREFATORY NOTE.
In this story I have touched, very feebly and inadequately, on one of
the greatest and saddest of human problems--as great and sad, certainly,
as the problem which forms the central purpose of my ‘Shadow of the
Sword.’ What the creed of Peace is to the state, the creed of Purity is
to the social community. So long as carnal indulgence is recognised as a
masculine prerogative, so long as personal chastity is a supreme factor
in the fate of women, but a mere accident in the lives of men, so long
as the diabolic ingenuity of a strong sex is tortured to devise legal
means for sacrificing a weaker sex--so long, in a word, as our homes
and our streets remain what they are--the creed of Purity must remain as
forlorn a dream as that other creed of Peace.
One word more with regard to my _dramatis persono_, none of whom are to
be taken for photographs or caricatures of living individuals. In one
case I have endeavoured to construct out of the editorial chit-chat of
a journal an amusing personality,--not, I think, ungenerously conceived;
of the real editor I know absolutely nothing, and I certainly bear him
no ill-will, much as I dislike the system of personal journalism
which he has created. All the other characters are purely fictitious.
Gavrolles and his circle are to be accepted as representatives, not
of æstheticism proper, but of the cant of æstheticism--which is quite
another thing.
R. B.
THE MARTYRDOM OF MADELINE.
PROLOGUE IN THE NIGHT.
As the two women gazed at one another under the lamplight, one standing
and looking down, the other sitting and looking up, you would have said
they might have been twin sisters--they looked so wonderfully alike.
Both were fair, with pale forget-me-not eyes, and skins delicately
clear; both were tall and slight. Nor was there any very noticeable
difference in the dress they wore. She who stood erect, with the rain
beating down upon her head, wore only, besides her bonnet and dress of
black stuff, a shawl wrapt tightly around her; the shawl was rich and
valuable, but looked common enough in the dim light. She who sat, with
her elbow on her knees and her chin resting in her open palms, wore a
shawl too, and a plain stuff dress, sodden with the rain; her bonnet had
fallen back, soaking and unheeded, on her shoulders, just held by the
sodden strings.
A close observer, however, would have perceived a world of difference
between these two women. The woman standing had the fierce, pained,
impatient manner of a wild animal; every look, every gesture was
self-contained, determined, yet full of overmastering anxiety, The woman
sitting was a crushed, gin-sodden, passionless, powerless waif, with
only the courage of a hunted pariah dog, to snap, and crawl uselessly
away.
Public-domain text, read in full here on John Shaqi.
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