The Mascot of Sweet Briar GulchPhillips, Henry Wallace
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The Mascot of Sweet Briar Gulch
Phillips, Henry Wallace
Miners -- Fiction; New York (State) -- Fiction
"'Bird of the wilderness, blithesome and cumberless,
Sweet be thy matin o'er moorland and lea!'"
he quoted. "For Heaven's sake, child," he continued, in some irritation,
"where did you learn that echo of the morgue?"
"Don't you like 'er?" asked Ches, in his turn astonished at such a lack
of taste. "W'y, dat's er gig in der city--everybuddy an' der ginnies wid
der organs is givin' dat out all day long."
"Well, let 'em," commanded Jim. "Don't introduce it to this part of the
country. As you render it, through the nose, and with the wail at the
end, it is a thing to make a strong man lie down and give up the ghost in
sheer disgust. Ches, does it really make you feel good to sing it?"
"Yessir--kinder," replied Ches hesitatingly.
"Lord!" thought Jim. "What a life, to make a song like that a
recreation!" Then aloud: "It's bad luck to sing before breakfast, Ches.
I'll teach you a livelier song than that when we hit the trail again."
So it came to pass that during the first miles of their day's journey the
way was enlivened by the notes of _The Arkansas Traveler_, _Garry Owen_,
_Where's My Linda-Cinda Gone?_, _Baltimore Girls_, and other songs of a
lively character.
Ches approved of these in moderation. Then Jim tried an experiment. With
a serious face, but half an eye on the boy, he howled, moaned and grunted
_The Cow-boy's Lament_, which still presents the insoluble problem of
whether the words or the music are drearier. "OooooOOO!!! Pla-a-ay your
fifes l-o-o-w-l-y, a-a-nd beee-eat your drums sl-o-o-o-wly, and play the
dead m-a-arch as you carry me o-o-o-on!" mourned Jim. Ches was all
attention. "For I'm o-o-o-nly a p-o-o-o-r cow-boy, and I know I've done
w-r-o-o-o-o-o-ng!" wailed the singer, in conclusion. "How'd you like
that, Ches?"
"Say, dat's a ringer!" cried the boy enthusiastically.
Jim sat him down by the roadside and laughed his fill. "I think you're
hopeless," he gasped.
The boy was hurt in a way he could not understand. Something pained
him--a new sensation, of not being up to the requirements of another's
view. His forced acute intelligence made a bull's-eye shot.
"P'r'aps w'en I've got er chist and t'umpers on me like you, I'll like
der udder kin' er song," he said.
Jim looked at the pathetic little figure on the burro, and his conscience
smote him. "That's right, boy," he replied very kindly. "I was only
joking--ought not to be any ill feeling between friends over a joke, you
know. Now, you sing ahead all you plenty please."
"Don't say nuttin' more about it," replied Ches. "It's all square."
A little farther on Jim noticed a piece of quartz outcrop with a metal
stain on it. Now, a miner can no more pass such a thing than some others
could refuse to pick up the pin shining at their feet, so he took a stone
and hammered off a specimen for future reference. In the meantime Ches,
on the burro, got around the turn of the trail.
Public-domain text, read in full here on John Shaqi.
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