The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and PracticesAnonymous
Religion
The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and Practices
Anonymous
Crosses; Phallicism
_Forms of the Cross--Ancient Maltese Cross--Phallic Character of some
Crosses--Offensive Forms of the Cross in Etruscan and Pompeian
Monuments--Thor's Battle-axe--The Buddhist Cross--Indian Crosses--The
Fylfot or Four-footed Cross--Danish Poem of the Thors of
Asgard--Legend of Thor's Loss of his Golden Hammer--Original Meaning
of these Crosses--Reception of Christianity amongst the Britons--Plato
and the Cross--The Mexican Tree of Life--Rain Makers--The
Winds--Various Meanings attributed to the Cross--The Crux
Ansata--Phallic Attributes--Coins, Gaulish and Jewish--Roman
Coins--The Lake Dwellings--The Cross in the Patriarchal Age._
In studying the origin and signification of the pre-Christian cross, we,
naturally of course, turn our attention to the forms in which it is
delineated; these are both numerous and varied--so varied indeed that a
writer, some years ago, in the _Edinburgh Review_ stated that his
commonplace-book contained nearly two hundred representations, which he
had found combined as often as not with other emblems of a sacred
character, and which had been collected from all parts of the world. We
may notice a few of the principal which are really, generally speaking,
types of all.
Most people are familiar with the Maltese cross--that consisting of four
triangles meeting in a central circle, or as it is generally described,
the cross with the four delta-like arms conjoined to or issuing from the
nave of a wheel or a diminutive circle. It derives its name from its
discovery on the island of Malta, and from its adoption by the Knights of
St. John for their coat-of-arms. There is no doubt it is one of the most
ancient forms of the cross we are acquainted with, as it is found, as we
have already stated, on the sculptures of the Assyrian monarchs long
before the Christian era, and may be seen on the sculptures in the
British Museum. In some of the Nineveh monuments representing
subject-people bringing tribute to the king, it occurs in the form of
ear-rings.
In Assyria, it is believed to have been the emblem of royalty, as it is
found on the breasts of the most powerful of the rulers. As it was known
originally in Malta, it was of a very different character to the ornament
worn either by the Assyrian monarch or by the modern inhabitants of
civilised nations. It was indeed of so gross a character, that the Knights
of St. John soon set to work to make something more decent of
it--something which while not altogether discarding the old form, should
yet be inoffensive to the eye of the more modest onlooker. It was made up,
in fact, of four gigantic phalli carved out of the solid granite, similar
to the form in which it is found in the island of Gozyo, and on some of
the Etruscan and Pompeian monuments.
Public-domain text, read in full here on John Shaqi.
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