The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and PracticesAnonymous
Religion
The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and Practices
Anonymous
Crosses; Phallicism
The trident was, in the most ancient periods, the sceptre of the Indian
deity, and may be seen in the hands of that deity in one of the plates
(iv.) of M. d'Ancarville's third volume, and among the sacred symbols
sculptured in Elephanta cavern, as pictured by Niebuhr in his engravings
of the Elephanta antiquities. "It was, indeed," says Maurice, "highly
proper, and strictly characteristic, that a threefold deity should wield a
triple sceptre, and I have now a very curious circumstance to unfold to
the reader, which I am enabled to do from the information of Mr. Hodges,
relative to this mysterious emblem. The very ancient and venerable
edifices of Deogur, which are in the form of immense pyramids, do not
terminate at the summit in a pyramidal point, for the apex is cut off at
about one seventh of what would be the entire height of the pyramid were
it completed, and, from the centre of the top, there rises a circular
cone, that ancient emblem of the sun. What is exceedingly singular to
these cones is, that they are on their summits decorated with this very
symbol, or usurped sceptre, of the Greek [Greek: Poseidon]. Thus was the
outside of the building decorated and crowned, as it were, with a
conspicuous emblem of the worship celebrated within, which from the
antiquity of the structure, raised in the infancy of the empire after
cavern-worship had ceased, was probably that of Brahma, Vishnu, and Siva:
for we have seen that Elephanta is, in fact, a temple to the Indian Triad,
evidenced in the colossal sculpture that forms the principal figure of it,
and excavated probably ere Brahma had fallen into neglect among those who
still acknowledge him as the creative energy, or different sects had
sprung up under the respective names of Vishnu and Siva. Understood with
reference to the pure theology of India, such appears to me to be the
meaning of this mistaken symbol; but a system of physical theology quickly
succeeded to the pure; and the debased, but ingenious, progeny, who
invented it, knew too well how to adapt the symbols and images of the true
and false devotion. The three sublime hypostases of the true Trinity were
degraded into three attributes; in physical causes the sacred mysteries of
religion were attempted to be explained away; its doctrines were
corrupted, and its emblems perverted. They went the absurd length of
degrading a Creator (for such Brahma, in the Hindoo creed, confessedly is)
to the rank of a created Dewtah, which has been shewn to be a glaring
solecism in theology.
Public-domain text, read in full here on John Shaqi.
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