The Mask: A Story of Love and AdventureHornblow, Arthur
General
The Mask: A Story of Love and Adventure
Hornblow, Arthur
Adventure stories; Twins -- Fiction
In a certain set Helen Traynor was not popular. Some people thought
her old fashioned, strait-laced, prudish. They resented her having no
taste for their frivolous, decadent amusements. They called her proud
and condescending whereas, as a matter of fact, she merely asked to be
let alone. Of course, it was only people whose opinions were worthless
that criticized her. All who were admitted to her intimacy knew that
there was no friend more loyal, no woman more womanly and charming.
In one respect she might be called old fashioned. Her views on life
had certainly little in common with those held by most present-day
women. She had no taste for bridge, she refused to adopt freak
fashions in dress, she discouraged the looseness of tone in speech and
manner so much affected by other women of her acquaintance--in a word
she was in society but not of it. Naturally, she had more
acquaintances than friends, yet she was not unpopular among her
intimates. While secretly they laughed at what they termed her
puritanical notions, they were shrewd enough to realize that they could
hardly afford to snub a woman whose husband occupied so prominent a
position in the world of affairs. Besides, was it not to their
interest to cultivate her? Who gave more delightful dinners, who could
on occasion be a more charming hostess? An accomplished musician, a
clever talker, she easily dominated in whatever salon she happened to
be, and the men were always found crowding eagerly around her.
Like most women of her temperament, sure of themselves and in whose
mind never enters even a thought of disloyalty to her marriage vows,
she made no concealment of her preference for the masculine sex. With
those men who were attracted by her unusual mentality,--she was
gracious, and affable, discussing with politicians, jurists,
financiers, economic and sociological questions with a brilliancy and
insight that fairly astonished them. With literary men and musicians,
she chatted intelligently of the latest novels and pictures and operas
with the facility and expertness of a connoisseur. Other men, drawn by
her exceptional beauty, fascinated by the spell of her soulful eyes,
her tall graceful figure, and delicate classic face, framed in Grecian
head dress, made violent love to her, their heated imaginations and
jaded senses conceiving a conquest compared with which the criminal
passion of Paolo for Francesca should pale. These would-be Lotharios
might as well have tried to set an iceberg on fire. Quietly, but
firmly and in unmistakable terms, she let them understand that they
were wasting their time and their ardor thus quenched, one by one they
dropped away and left her in peace. Only Signor Keralio had persisted.
She had snubbed him, insulted him, time after time, yet wherever she
turned she found him at her elbow. Society soon resigned itself to
considering her as one apart--a beautiful, chaste Juno whose ideals all
must respect.
Public-domain text, read in full here on John Shaqi.
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