“Nine o'clock, sir!”
He opened his eyes, murmured something, and closed them again.
The man moved to the window, quietly pulled back the curtains and half
drew the blind.
“Better night, sir, I hope?” he ventured, softly.
Chilcote had drawn the bedclothes over his face to screen himself from
the daylight, murky though it was.
“Yes,” he responded. “Those beastly nightmares didn't trouble me,
for once.” He shivered a little as at some recollection. “But don't
talk--don't remind me of them. I hate a man who has no originality.”
He spoke sharply. At times he showed an almost childish irritation over
trivial things.
Allsopp took the remark in silence. Crossing the wide room, he began
to lay out his master's clothes. The action affected Chilcote to fresh
annoyance.
“Confound it!” he said. “I'm sick of that routine: I can see you laying
out my winding-sheet the day of my burial. Leave those things. Come back
in half an hour.”
Allsopp allowed himself one glance at his master's figure huddled in the
great bed; then, laying aside the coat he was holding, he moved to the
door. With his: fingers on the handle he paused.
“Will you breakfast in your own room, sir--or down-stairs?”
Chilcote drew the clothes more tightly round his shoulders. “Oh,
anywhere--nowhere!” he said. “I don't care.”
Allsopp softly withdrew.
Left to himself, Chilcote sat up in bed and lifted the salver to his
knees. The sudden movement jarred him physically; he drew a handkerchief
from under the pillow and wiped his forehead; then he held his hand to
the light and studied it. The hand looked sallow and unsteady. With a
nervous gesture he thrust the salver back upon the table and slid out of
bed.
Moving hastily across the room, he stopped before one of the tall
wardrobes and swung the door open; then after a furtive glance around
the room he thrust his hand into the recesses of a shelf and fumbled
there.
The thing he sought was evidently not hard to find, for almost at once
he withdrew his hand and moved from the wardrobe to a table beside the
fireplace, carrying a small glass tube filled with tabloids.
On the table were a decanter, a siphon, and a water-jug. Mixing some
whiskey, he uncorked the tube, again he glanced apprehensively towards
the door, then with a very nervous hand dropped two tabloids into the
glass.
While they dissolved he stood with his hand on the table and his eyes
fixed on the floor, evidently restraining his impatience. Instantly
they had disappeared he seized the glass and drained it at a draught,
replaced the bottle in the wardrobe, and, shivering slightly in the raw
air, slipped back into bed.
When Allsopp returned he was sitting up, a cigarette between his lips,
the teacup standing empty on the salver. The nervous irritability
had gone from his manner. He no longer moved jerkily, his eyes looked
brighter, his pale skin more healthy.
“Ah, Allsopp,” he said, “there are some moments in life, after all. It
isn't all blank wall.”
Public-domain text, read in full here on John Shaqi.
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