Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
“Really they say there is a Providence above us, but I can’t think
there is, when I am pestered to death by bills, and this creature owns
Harrenden House;” she thought, with those doubts as to the existence
of a deity which always assail people when deity is, as it were, in
the betting against them. She had read an article that morning by
Jules Simon, in which he argued that if the anarchists could be only
persuaded to believe in a future life they would turn their bombs
into bottles of kid reviver and cheerfully black the boots of the
bourgeoisie. But she felt herself that there was something utterly
wrong in a scheme of creation which could bestow Harrenden House on a
Margaret Massarene, and in a Divine Judge who could look on at such
discrepancies of property without disapproval.
She scarcely said a syllable in her breathless progress over the
building; although the unhappy mistress of Harrenden House pined in
trembling for her verdict, as a poor captain of a company longs for a
word from some great general inspecting his quarters. But when she had
finished her tour of inspection, and consented to take a cup of tea
and a caviare biscuit in the tea-room where the Leo the Tenth urn was
purring, and Mr. Winter and two of his subordinates were looking on in
benign condescension, she said brusquely:
“_Eh bien, il ne vous a pas volé._”
Mrs. Massarene had not the most remote idea of what she meant, but
smiled vaguely, and anxiously, hoping the phrase meant praise.
“He’s given you the value of your money,” Lady Kenilworth explained.
“It’s the finest house in London, and nearly everything in it is good.
The Mantegna is rubbish, as I told you, and if I had been asked I
shouldn’t have put up that Pietro di Cortona. What did Khris make you
pay for it?”
“I don’t know, I am sure, ma’am,” replied the mistress of the Mantegna
meekly. “William--Mr. Massarene--never tells me the figure of anything.”
“The Cortona was painted last year in the Avenue de Villiers, I
suspect,” continued Lady Kenilworth. “But all the rest, or nearly all,
is admirable.”
“It’s a very grand house,” replied its mistress meekly; “but it’s
mighty lonesome-like to be in it, with no company. If all the great
folks you promised, my lady----”
“I never promised, I never do promise,” said her visitor sharply.
“I can’t take people by their petticoats and coat-tails and drag
them up your stairs. You must get yourself known for something; then
they’ll come. What? Oh, I have no idea. Something. A cook; or a wine;
or a surprise. People like surprises under their dinner napkins.
Or a speciality, any speciality. I knew a person who entirely got
into society by white hares; _civet de lièvre_, you know; but white,
Siberian.”
Mrs. Massarene gasped. She had a feeling then she was being talked to
in Sanscrit or Welsh and expected to understand it. Why white hares
should be better than brown hares she could not imagine. Nobody ate the
fur.
Public-domain text, read in full here on John Shaqi.
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