Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
But the next day, at one o’clock precisely, he presented himself at the
house in Stanhope Street which the Kenilworths honored by residence. He
looked like an eminently respectable grazier or cheesemonger clothed in
the best that money could buy; a hat, which was oppressively lustrous
and new, was carried in his hand with a pair of new gloves. In his
shirt-sleeves and butcher-boots, with a brace of revolvers in his belt,
as he had sworn at his platelayers, or his diggers, or his puddlers,
in the hard bright light of the Dakotan sun, he had been a formidable
and manly figure in keeping with the giant rocks, and the seething
streams, and the rough boulder-strewn roads of the country round him.
But standing in the hall of a London house, clad in London clothes made
by the first tailors, he looked clumsy and absurd, and he knew it. He
was a stolid, sensible, and very bold man; when a railway train in the
early days of the Pacific road had been “held up” by a native gang,
those desperate robbers had found more than their match in him, and
the whole convoy, with the million odd dollars he was carrying in his
breast-pocket, had been saved by his own ready and pitiless courage.
But as he mounted the staircase in Stanhope Street his knees shook and
his tongue clove to his teeth; he felt what actors describe as stage
fright.
Lady Kenilworth had deigned to know him at Homburg, had put him in the
way of buying Vale Royal of her cousin Roxhall, had dined more than
once at his expense with a noisy gay party who scarcely said good-day
to him, and likewise at his expense had picnicked in the woods and
drunk much more of the best Rhenish wines than were good for them; and
on a smooth stretch of green sward under the pines, that lovely lady
had imitated the dancing of Nini-Patte-en-l’air of the Eden Theatre,
until the “few last sad grey hairs” upon his head had stood erect in
scandalized amazement. She had also dined and supped at his expense
several times with various friends of her own in Paris, in the November
following on the July at Homburg; and she had let him take boxes for
her at the operas and theatres, and had generally used his purse
without seeming to see that it was open for her. But he had exchanged
very few words with her (though he had already through her inspiration
spent a good deal of money), and his stout, squat figure shook like a
leaf as he was ushered into her presence, while her two Blenheims flew
at his trousers with a fugue of barks.
Public-domain text, read in full here on John Shaqi.
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