Harrenden House, as it was called, had been designed for a rich and eccentric duke of that name, and occupied by him for a few years, at the end of which time he had tired of it, had carried all its treasures elsewhere, and put it up for sale; it had remained unsold and unlet for a very long period, the price asked being too large even for millionaires. At last, in the autumn of the previous year, it had been taken by a person who was much more than a millionaire, though he had been born in a workhouse and had begun life as a cow-boy. The great mansion had nothing whatever of the _parvenu_ about it except its new owner. Its interior had been arranged in perfect taste by an unerring master’s hand. The square hall had ancient Italian tapestries, Italian marbles, Italian mosaics, all of genuine age and extreme beauty, whilst from its domed cupola a mellowed light streamed down through painted glass of the fifteenth century, taken from the private chapel of a Flemish castle. The two-winged staircase, broad and massive, had balustrades of oak which had once been the choir railings of a cathedral in Karinthia, the silver lamps which hung above these stairs had once illumined religious services in the Kremlin, and above the central balustrade leaned, lovely as adolescence, a nude youth with a hawk on his wrist--the work of Clodion. The rest of the mansion was in the same proportions and perfection. No false note jarred on its harmonies, no doubtful thing intruded a coarse or common chord. The household were not pushed away into dark cell-like corners, but had comfortable and airy sleeping-chambers. It was a palace fit for a Queen of Loves; it was a home made for a young Cæsar in the first flush of his dreams of Cleopatra. And it belonged actually to William Massarene, late of Kerosene City, North Dakota, U. S. A., miner, miller, meat salesman, cattle exporter, railway contractor, owner of gambling-saloons, and opium dens for the heathen Chinee, and one of the richest and hardiest-headed men in either hemisphere.