The Master of Aberfeldie, Volume 2 (of 3)Grant, James
General
The Master of Aberfeldie, Volume 2 (of 3)
Grant, James
Fiction
He vanished from the light; there was a heavy thud far down below,
and then all became still--unnaturally so; but Holcroft could hear
the beating of his own pulses, while the blood seemed to be surging
about his throbbing temples.
Was he acting in a dream from which he would waken to find himself in
bed? or was all this happening, not to him, but to some one else?
No, there was the bruised right hand, from which the violence of his
blow had torn the skin.
He had read of dark crimes, of _murders_, but little did he think he
would ever become the participator in such a deed; but opportunity is
always the devil's game.
For a minute--an eternity it seemed, by the chaos of his mind, the
sudden inversion of all thought--he did not breathe, he scarcely
seemed to live.
There was a whisper of 'murder' on his lips, and it seemed to have an
echo, that terrible whisper, but whether from the walls, the trees
that waved below them, the blue sky, or the crows that were winging
their way through it, he knew not. He seemed to whisper the awful
word to himself, with quivering lips, again and again, as if he
required an assurance of its truth, and then sought to rouse himself
from his lethargic stupor, quit the scene of his sudden crime, and
seek safety in flight--flight!
But, then, to quit Dundargue thus would fix suspicion on himself.
Had not Clairette, the French maid, seen him but lately with Allan?
And flight would mar the very object for which he had committed the
crime.
Should he--could he--at all risks to himself and his fortune, ere it
was too late, strive to undo what he had done; to give an alarm, and
make some excuse or explanation ere life had departed from the
shattered frame of his victim, or leave the latter to his obscure
fate--a grave under his father's roof!
Cowardice and meanness, hatred, jealousy, and avarice all suggested
the latter.
He knew not the depth of this strange prison, or how far down beneath
the foundations of lofty Dundargue and into the rock on which it
stands, the sill or floor of the noisome vault might be.
He listened; not a sound came upward, nor was there any, save the
wild beating of his own heart and the buzzing and singing of blood in
his ears.
He softly closed the wooden trap-door, let the enormous iron hasp
thereof drop over the rusty staple; he closed the massive external
entrance, and stealthily crept or glided away.
There seemed a silence all around him now; such a silence as must
have appalled the soul of the first murderer when he 'rose up against
Abel, his brother, and slew him.'
So the tragedy--the dark crime--was acted as suddenly as it was
weird--suggested by a whisper of the devil! There was nothing very
tragic in the accessories of the scene; but, as an author says, 'Are
not real tragedies, the social tragedies that go on about us in our
every-day life, enacted like comedies, until the last moment, when
the curtain falls, and all is dark?'
Public-domain text, read in full here on John Shaqi.
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