The Master of Mrs. Chilvers: An Improbable ComedyJerome, Jerome K. (Jerome Klapka)
General
The Master of Mrs. Chilvers: An Improbable Comedy
Jerome, Jerome K. (Jerome Klapka)
England -- Drama
GEOFFREY. (_Not remembering_.) _I_ did! Must have been thinking of
something else. I shall be in here if you want me. (_He goes into the
other room_.)
ANNYS. (_She has crossed to her desk_. _She is humming_. _She seats
herself_, _takes paper and pen_, _writes_. _Without turning—still
writing—she raises her voice_.) Geoffrey! How do you spell
“experimental”? One “r” or two?
(_There is no answer_. _Puzzled at the silence_, _she looks round_.
_The great folding-doors are closed_. _She stares in front of her_,
_thinking_, _then turns again to her work_.)
CURTAIN.
THE SECOND ACT
SCENE:—_Liberal Central Committee Rooms_, _East India Dock Road_,
_Poplar_. _A large_, _high room on the first floor of an old-fashioned
house_. _Two high windows right_. _A door at back is the main
entrance_. _A door left leads to other rooms_. _The walls are papered
with election literature_. _Conspicuous among the posters displayed is_
“_A Man for Men_.” “_No Petticoat Government_.” “_Will you be
Henpecked_?” _A large_, _round table centre is littered with papers and
pamphlets_. _A large desk stands between the windows_. _A settee is
against the left wall_.
(_When the curtain rises_, ROSE MERTON (_otherwise_ “GINGER”) _is
discovered seated_, _her left arm resting on the table_. _She is a young
lady typical of the Cockney slavey type_, _dressed according to the ideas
of her class as regards the perfect lady_. _Her hat is characteristic_.
_Her gloves_, _her reticule_, _her umbrella—the latter something rather_
“_saucy_”—_are displayed around her_. _She is feeling comfortable and
airing her views_. MRS. CHINN _is laying the cloth over a portion of the
table_, _with some tea-things_. MRS. CHINN _is a thin_, _narrow-chested
lady with thin hands and bony wrists_. _No one since her husband died
has ever seen her without her bonnet_. _Its appearance suggests the
possibility that she sleeps in it_. _It is black_, _like her dress_.
_The whole figure is decent_, _but dingy_.)
GINGER. Wot I say about the question is—
MRS. CHINN. Do you mind moving your arm?
GINGER. Beg pardon. (_She shifts_.) Wot I say is, why not give us the
vote and end all the talking?
MRS. CHINN. You think it would have that effect?
GINGER. Well! we don’t want to go on being a nuisance—longer than we can
possibly ’elp!
MRS. CHINN. Daresay you’re right. It’s about the time most people stop.
GINGER. You’ve never thought much about the question yourself, ’ave you,
Mrs. Chinn?
MRS. CHINN. I ain’t fretted much about it.
GINGER. Was a time when I didn’t. I used to be all for—you know—larking
about. I never thought much about anything.
MRS. CHINN. Ah! it’s a useful habit.
GINGER. What is?
MRS. CHINN. Thinking.
GINGER. It’s what we women ’aven’t done enough of—in the past, I mean.
All that’s going to be altered. In the future there’s going to be no
difference between men and women.
Public-domain text, read in full here on John Shaqi.
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