The man was going my way, evidently to begin his day's work, for it was
then early in the morning, and I walked along with him.
“Folks say,” he continued, “them grounds is full of hejious reptyles,
an' I've heerd fellers tell queer things they've seen when passin' there
at night--red lights a-flyin' about an' spooks at the winders. An' one
night, when Uncle Bill Jemson was comin' down the turnpike, they was a
storm come up, an' jest as he got opposite the big iron gate they was a
flash a lightnin'--an' Bill says he see the ole man, his long white hair
a-flyin' in th' wind, an' a lion standin' there in front a th' house.
Th' flash was out'n a minit, an' Bill whipped up his hosses an' sent em
clear to Mills' tavern on the dead run,” said he, laughing as if it were
a good joke.
“They don't nobody like th' place ner th' man, though I don' know why,
fer no one's ever passed a word with him in these parts. There 'tis,
over yender with the pines around it an' th' high wall,” said he,
pointing with his finger. But my eye had already discovered the
low-built rambling house on the high banks of the river, well in the
distance, and had recognized it at once.
Leaving my companion at the next turn in the road I walked hurriedly on,
and when I had reached the big iron gate I stopped and peered through
it. A gravel roadway, now overgrown with weeds, led from the gate to the
front of the house, which stood facing me. It was built entirely of
wood and consisted of four wings (at least there were no others visible)
evidently enclosing a quadrangular courtyard, the rear wings being
lower than those in front, and hidden by the latter from the view of one
standing at the gate as I was. It was only at a distance that one could
see their roofs above the enclosure. There was but one line of windows
along the front, but there was an oriel just under the peak of the main
building, and I could see a skylight here and there upon the roofs.
Public-domain text, read in full here on John Shaqi.
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