The Master of Warlock: A Virginia War StoryEggleston, George Cary
History
The Master of Warlock: A Virginia War Story
Eggleston, George Cary
Virginia -- History -- Civil War, 1861-1865 -- Fiction
But when they saw her dismount from Baillie Pegram's mare, they were
well-nigh speechless with horror at her depravity. The deliverance that
had been so carefully prepared for her chastening no longer met the
requirements of the case. A new and far severer rebuke must be
extemporised, and the necessity of that was an additional offence on the
part of the young woman who had forced it upon them. They were not
accustomed to speak extemporaneously on any subject of importance. To do
so involved the danger of saying too much, or saying it less effectively
than they wished, or--worse still--leaving unsaid things that they very
much wished to say. In response to their horrified questionings, Agatha
made the simplest and most direct statement possible.
"The morning was fine, and I wanted to ride. I rode as far as Dogwood
Branch. There my poor horse--the one that my grandfather sent down for
me to ride while here--met with a mishap. His foot went through a hole
in the bridge, and in his struggle to extricate it, he broke his leg.
Mr. Pegram came along and released the poor beastie's foot, but it was
too late. So he insisted upon my taking his mare, and showed me that I
couldn't refuse. He sent his servant to ride on a mule behind me in case
I should have trouble with his only partially broken mare. He promised
to put my poor horse out of his misery. There. That's all there is to
tell."
The little speech was made in a tone and with a manner that suggested
difficult self-restraint. When it was ended the two good aunts sat for
a full minute looking at the girl with eyes that were eloquent of
reproach--a reproach that for the moment could find no fit words for its
expression. At last the torrent came--not with a rushing violence of
speech, but with a steady, overwhelming flow. The girl stood still,
seemingly impassive.
"Will you not be seated?" presently asked Aunt Sarah.
"If you don't mind, I prefer to stand," she answered, in the gentlest,
most submissive tone imaginable, for Agatha--angry and outraged--was
determined to maintain her self-control to the end. Her gentle
submissiveness of seeming deceived her censors to their undoing.
Satisfied that they might rebuke her to their hearts' content, they
proceeded, adding one word of bitter reproach and condemnation to
another, and waxing steadily stronger in their righteous wrath. Still
the girl stood like a soldier under a fire which he is forbidden to
return. Still she controlled her countenance and restrained herself from
speech. Only a slight flushing of the face, and now and then a tremor
of the lip, gave indication of emotion of any kind.
Not until the storm had completely expended its wrath upon her head did
Agatha Ronald open her lips. Then she spoke as Agatha Ronald:
Public-domain text, read in full here on John Shaqi.
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