The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
“Ay, comrades,” said he--“it is we on the Hill of Martyrs who
_live_.... Climb Montmartre, and you are in a rare atmosphere--get
you up amongst the scaffolding a-top of it, and you may touch the
clouds--the air is light, vivacious, exciting as wine--solemn things
and dull talk fall away from you--you must stoop if you would kiss the
hand to Paris, stoop to hail her, stoop to see her. Here we condescend
to the world. We are amongst the clouds--breathe the air the gods have
breathed. We have here no rare inclinations to riot--here _life_ is a
riot. Down there they toil and moil all day through, all the months,
to snatch infrequent glimpses of life, that they have not the habit
to enjoy. Tush!” He laughed. “They call it a _holiday_! Ho, Ho, Ho!
a holiday!... They lie down at the ticking of a clock--sleep at the
bidding of their task-masters--awake at the striking of a clock to
work their fingers to the bone for a shabby grave. Worse still, work
others’ fingers to the bone, even the fingers of woman and child, this
pitiful scourged crew, to make rich the brutish vulgarians whom they so
fantastically serve. God! what a hell’s stew!... With the darkness they
lie down and go to sleep--to awake with the daylight to further toil
and moil again. A Russian grand-duke steals their prettiest daughter
for a week or more, then takes another. The rich, who are their idols,
misuse their beautiful women; so they look up to the rich.... But
we! we live all the while. If we’ve a mind to it, we rejoice in the
night--we sleep when we will--live whilst we may. Life’s but for a few
flitting years at best. These others are so mad they think us mad who
know them mad.... If we are mad----”
He stopped a waiter who passed with a tray of tumblers filled with
absinthe. His hand shook so that he spilled some liquor as he raised a
glass:
“If we are mad, then here’s to madness!”
They roared with laughter, banged their fists upon the board, raised
their glasses and drank with him. He emptied the glass and flung it to
a waiter.
“If theirs be sanity to huddle in foul dens, feed on the Mad Cow of
Hunger, scowl sullenly at life from work-stunned eyes, all to fill the
purse of pot-bellied tradesmen, to build with their blood and toil the
vulgar habitations of their pretentious vulgarity, then ’twere better
to be mad.... And no worse than Sanity.... We too have tasted the flesh
of the Mad Cow, but we have not sold our souls for bread, nor our lives
to be allowed to rummage on a dunghill.” He held out his hands and
grasped the air, adding with hoarse passion: “We live, I say--we live.”
He stood proudly, and gazed at the applause.
They called to him to sing; and he stood there and sang the song that
held Paris; and as he sang the refrain, they all burst into the chorus:
“Proud as kings and loud as carters,
Live we who live on the Hill of Martyrs.”
When the rousing chorus was done, amidst thunders of applause, fists
banged upon the tables, André Joyeux mounted a chair:
Public-domain text, read in full here on John Shaqi.
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