The May Flower, and Miscellaneous WritingsStowe, Harriet Beecher
General
The May Flower, and Miscellaneous Writings
Stowe, Harriet Beecher
United States -- Social life and customs -- 19th century -- Fiction
Thoughts something like these arose in my mind as I slowly turned my
footsteps from the graveyard of my native village, where I had been
wandering after years of absence. It was a lovely spot--a soft slope of
ground close by a little stream, that ran sparkling through the cedars
and junipers beyond it, while on the other side arose a green hill, with
the white village laid like a necklace of pearls upon its bosom.
There is no feature of the landscape more picturesque and peculiar than
that of the graveyard--that "city of the silent," as it is beautifully
expressed by the Orientals--standing amid the bloom and rejoicing of
nature, its white stones glittering in the sun, a memorial of decay, a
link between the living and the dead.
As I moved slowly from mound to mound, and read the inscriptions, which
purported that many a money-saving man, and many a busy, anxious
housewife, and many a prattling, half-blossomed child, had done with
care or mirth, I was struck with a plain slab, bearing the inscription,
"_To the memory of Deacon Enos Dudley, who died in his hundredth year_."
My eye was caught by this inscription, for in other years I had well
known the person it recorded. At this instant, his mild and venerable
form arose before me as erst it used to rise from the deacon's seat, a
straight, close slip just below the pulpit. I recollect his quiet and
lowly coming into meeting, precisely ten minutes before the time, every
Sunday,--his tall form a little stooping,--his best suit of
butternut-colored Sunday clothes, with long flaps and wide cuffs, on one
of which two pins were always to be seen stuck in with the most reverent
precision. When seated, the top of the pew came just to his chin, so
that his silvery, placid head rose above it like the moon above the
horizon. His head was one that might have been sketched for a St.
John--bald at the top, and around the temples adorned with a soft flow
of bright fine hair,--
"That down his shoulders reverently spread,
As hoary frost with spangles doth attire
The naked branches of an oak half dead."
He was then of great age, and every line of his patient face seemed to
say, "And now, Lord, what wait I for?" Yet still, year after year, was
he to be seen in the same place, with the same dutiful punctuality.
Public-domain text, read in full here on John Shaqi.
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