The May Flower, and Miscellaneous WritingsStowe, Harriet Beecher
General
The May Flower, and Miscellaneous Writings
Stowe, Harriet Beecher
United States -- Social life and customs -- 19th century -- Fiction
And accordingly, many happy years flew over the heads of the young
couple in the Stanton place, long after the hoary hairs of their kind
benefactor, the deacon, were laid with reverence in the dust. Uncle Jaw
was so far wrought upon by the magnanimity of the good old man as to be
very materially changed for the better. Instead of quarrelling in real
earnest all around the neighborhood, he confined himself merely to
battling the opposite side of every question with his son, which, as the
latter was somewhat of a logician, afforded a pretty good field for the
exercise of his powers; and he was heard to declare at the funeral of
the old deacon, that, "after all, a man got as much, and may be more, to
go along as the deacon did, than to be all the time fisting and jawing;
though I tell you what it is," said he, afterwards, "'tain't every one
that has the deacon's _faculty_, any how."
THE TEA ROSE.
There it stood, in its little green vase, on a light ebony stand, in the
window of the drawing room. The rich satin curtains, with their costly
fringes, swept down on either side of it, and around it glittered every
rare and fanciful trifle which wealth can offer to luxury; and yet that
simple rose was the fairest of them all. So pure it looked, its white
leaves just touched with that delicious creamy tint peculiar to its
kind; its cup so full, so perfect; its head bending as if it were
sinking and melting away in its own richness--O, when did ever man make
any thing to equal the living, perfect flower?
But the sunlight that streamed through the window revealed something
fairer than the rose. Reclined on an ottoman, in a deep recess, and
intently engaged with a book, rested what seemed the counterpart of that
so lovely flower. That cheek so pale, that fair forehead so spiritual,
that countenance so full of high thought, those long, downcast lashes,
and the expression of the beautiful mouth, sorrowful, yet subdued and
sweet--it seemed like the picture of a dream.
"Florence! Florence!" echoed a merry and musical voice, in a sweet,
impatient tone. Turn your head, reader, and you will see a light and
sparkling maiden, the very model of some little wilful elf, born of
mischief and motion, with a dancing eye, a foot that scarcely seems to
touch the carpet, and a smile so multiplied by dimples that it seems
like a thousand smiles at once. "Come, Florence, I say," said the little
sprite, "put down that wise, good, and excellent volume, and descend
from your cloud, and talk with a poor little mortal."
The fair apparition, thus adjured, obeyed; and, looking up, revealed
just such eyes as you expected to see beneath such lids--eyes deep,
pathetic, and rich as a strain of sad music.
Public-domain text, read in full here on John Shaqi.
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