The May Flower, and Miscellaneous Writings — John Shaqi
The May Flower, and Miscellaneous WritingsStowe, Harriet Beecher
General
The May Flower, and Miscellaneous Writings
Stowe, Harriet Beecher
United States -- Social life and customs -- 19th century -- Fiction
Do you see yonder brown house, with its broad roof sloping almost to the
ground on one side, and a great, unsupported, sun bonnet of a piazza
shooting out over the front door? You must often have noticed it; you
have seen its tall well sweep, relieved against the clear evening sky,
or observed the feather beds and bolsters lounging out of its chamber
windows on a still summer morning; you recollect its gate, that swung
with a chain and a great stone; its pantry window, latticed with little
brown slabs, and looking out upon a forest of bean poles. You remember
the zephyrs that used to play among its pea brush, and shake the long
tassels of its corn patch, and how vainly any zephyr might essay to
perform similar flirtations with the considerate cabbages that were
solemnly vegetating near by. Then there was the whole neighborhood of
purple-leaved beets and feathery parsnips; there were the billows of
gooseberry bushes rolled up by the fence, interspersed with rows of
quince trees; and far off in one corner was one little patch,
penuriously devoted to ornament, which flamed with marigolds, poppies,
snappers, and four-o'clocks. Then there was a little box by itself with
one rose geranium in it, which seemed to look around the garden as much
like a stranger as a French dancing master in a Yankee meeting house.
That is the dwelling of Uncle Lot Griswold. Uncle Lot, as he was
commonly called, had a character that a painter would sketch for its
lights and contrasts rather than its symmetry. He was a chestnut burr,
abounding with briers without and with substantial goodness within. He
had the strong-grained practical sense, the calculating worldly wisdom
of his class of people in New England; he had, too, a kindly heart; but
all the strata of his character were crossed by a vein of surly
petulance, that, half way between joke and earnest, colored every thing
that he said and did.
If you asked a favor of Uncle Lot, he generally kept you arguing half an
hour, to prove that you really needed it, and to tell you that he could
not all the while be troubled with helping one body or another, all
which time you might observe him regularly making his preparations to
grant your request, and see, by an odd glimmer of his eye, that he was
preparing to let you hear the "conclusion of the whole matter," which
was, "Well, well--I guess--I'll go, on the _hull_--I 'spose I must, at
least;" so off he would go and work while the day lasted, and then wind
up with a farewell exhortation "not to be a callin' on your neighbors
when you could get along without." If any of Uncle Lot's neighbors were
in any trouble, he was always at hand to tell them that "they shouldn't
a' done so;" that "it was strange they couldn't had more sense;" and
then to close his exhortations by laboring more diligently than any to
bring them out of their difficulties, groaning in spirit, meanwhile,
that folks would make people so much trouble.
Public-domain text, read in full here on John Shaqi.
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