The furniture is of the simplest, consisting of a small round cedar
table, with a little bowl-shaped projection which contains a lump of
masa when tortillas are being made and chili peppers or salt at
mealtimes. The seats are mere blocks of wood, 3 or 4 inches high
(_caanche_), with perhaps one or two more pretentious low hollow-backed
wooden chairs covered with deer skin or "tiger" skin. A number of
calabashes of all shapes and sizes, with a few earthen water jars, iron
cooking pots, and plaques for baking tortillas, are found in all houses.
Hammocks (_káan_) of cotton or henequen fiber are always conspicuous
articles of furniture, as they are slung all around the room, making it
very difficult to move about in it when they are let down. In many
houses contact with the hammocks is not desirable, as lice have a habit
of leaving the body of the hammock during the day and secreting
themselves in the knots between the body and the arms, whence they may
transfer themselves to the garments of the unwary. If the hammock is
large the father and mother often sleep in one, their heads at opposite
ends, while the smaller children, frequently to the number of three or
four, occupy another. There can be no such thing as privacy, as the
whole family commonly sleep, live, and eat in a single room, which at
most is divided into two apartments by a flimsy cotton curtain. A
prominent object in most Indian houses is an altar (_canche_), or high
square table, upon which stands a wooden cross (fig. 8). The altar is
covered with a cotton cloth, embroidered in flowers and religious
symbols; the cross is draped with ribbon or strips of colored fabric,
and sometimes with crude models, in silver or gold, of legs, arms, and
hands, representing thank offerings to some favorite Santo for the
healing of corresponding parts of the body. Little images in wax, and,
if the Indian can obtain them, religious oleographs and medallions, with
colored-glass vases, are commonly found upon the altar, which is
frequently dressed with fresh flowers.
The Indian's only tool is his machete, a heavy cutlass-like knife, about
16 inches long; with this he cuts and cleans his milpa, makes his house
and most of his furniture, digs postholes, and fights and defends
himself.
His indispensable belongings consist of a hammock, a few calabashes and
pots, a machete, and a cotton suit, all of which he can carry slung over
his back in a macapal; with his wife and dogs trotting behind him, he
can leave his old home and seek pastures new with a light heart and
untroubled mind, knowing that the bush will provide for all his needs.
POTTERY MAKING
Public-domain text, read in full here on John Shaqi.
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