None of the many representations of the SPEEDWELL which appear in historical pictures are authentic, though some doubtless give correct ideas of her type. Weir’s painting of the “Embarkation of the Pilgrims,” in the Capitol at Washington (and Parker’s copy of the same in Pilgrim Hall, Plymouth); Lucy’s painting of the “Departure of the Pilgrims,” in Pilgrim Hall; Copes great painting in the corridor of the British Houses of Parliament, and others of lesser note, all depict the vessel on much the same lines, but nothing can be claimed for any of them, except fidelity to a type of vessel of that day and class. Perhaps the best illustration now known of a craft of this type is given in the painting by the Cuyps, father and son, of the “Departure of the Pilgrims from Delfshaven,” as reproduced by Dr. W. E. Griffis, as the frontispiece to his little monograph, “The Pilgrims in their Three Homes.” No reliable description of the pinnace herself is known to exist, and but few facts concerning her have been gleaned. That she was fairly “roomy” for a small number of passengers, and had decent accommodations, is inferable from the fact that so many as thirty were assigned to her at Southampton, for the Atlantic voyage (while the MAY-FLOWER, three times her tonnage, but of greater proportionate capacity, had but ninety), as also from the fact that “the chief [i.e. principal people] of them that came from Leyden went in this ship, to give Master Reynolds content.” That she mounted at least “three pieces of ordnance” appears by the testimony of Edward Winslow, and they probably comprised her armament.