To use the discordant statements of the Fathers to sharpen the wits of the
young! Was not that to uncover their shame? And the character of the work
did not salve the Prologue’s sting. Abaelard selected and arranged his
extracts from pagan as well as Christian writers, and prepared sardonic
titles for the questions under which he ordered his material. Time and
again these titles flaunt an opposition which the citations scarcely bear
out. For example, title iv.: “Quod sit credendum in Deum solum, et
contra”--certainly a flaming point; yet the excerpts display merely the
verb _credere_, used in the palpably different senses borne by the word
“believe.” There is no real repugnancy among the citations. And again, in
title lviii.: “Quod Adam salvatus sit, et contra”--there is no citation
_contra_. And the longest chapter in the book (cxvii.) has this bristling
title: “De sacramento altaris, quod sit essentialiter ipsa veritas carnis
Christi et sanguinis, et contra.”
Because of such prickly traits the _Sic et non_ did not itself come into
common use. But the suggestions of its method once made, were of too
obvious utility to be abandoned. First, among Abaelard’s own pupils the
result appears in _Books of Sentences_, which, in the arrangement of their
matter, followed the topical division not of the _Sic et non_, but of
Abaelard’s _Theologia_, with its threefold division of Theology into
_Fides_, _Caritas_, and _Sacramentum_.[429] But the arrangement of the
_Theologia_ was not made use of in the best and most famous of these
compositions, Peter Lombard’s _Sententiarum libri quatuor_. This work
employed the method (not the arrangement) of the _Sic et non_, and
expounded the contents of Faith methodically, “Distinctio” after
“Distinctio,” stating the proposition, citing the authorities bearing upon
it, and ending with some conciliating or distinguishing statement of the
true result. In canon law the same method was applied in Gratian’s
_Decretum_, of which the proper name was _Concordia discordantium
canonum_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account