In language, temperament, and character, the Germans east of the Rhine
were Germans still in the thirteenth century. They had accepted, and even
vitally appropriated, Latin Christianity; those of them who were educated
had received a Latin education. Yet their natures, though somewhat
tempered, showed largely and distinctly German. Moreover, through the
centuries, they had acquired--or rather they had never lost--a national
antipathy toward those Roman papal well-springs of authority, which seemed
to suck back German gold and lands in return for spiritual assurance and
political betrayal.
A different and already mediaevalized element had also become part of
German culture, to wit, the matter of the French Arthurian romances and
the lyric fashions of Provence, which, working together, had captivated
modish German circles from the Rhine to the Danube. Nevertheless the
German character maintained itself in the _Minnelieder_ which followed
Provençal poetry, and in the _höfisch_ (courtly) epics which were palpable
translations from the French.[8] The distinguished group of German poets
whose lives fall around the year 1200, were as German as their language,
although they borrowed from abroad the form and matter of their
compositions.
There could be no better Germans than the two most thoughtful of this
group, Wolfram von Eschenbach and Walther von der Vogelweide. Most
Germanically the former wrestled with that ancient theme, “from suffering,
wisdom,” which he pressed into the tale of _Parzival_. His great poem,
achieved with toil and sweat, was mighty in its climaxes, and fit to
strengthen the hearts of those men who through sorrow and loneliness and
despair’s temptations were growing “slowly wise.”
The virtues which Wolfram praised and embodied in his hero were those
praised in the verses, and even, one may think, strugglingly exemplified
in the conduct, of Walther von der Vogelweide,[9] most famous of
Minnesingers, and a power in the German lands through his _Sprüche_, or
verses personal and political. Less is known of his life than of his whole
and manly views, his poetic fancies, his musings, his hopes, and great
depressions. Many places have claimed the honour of his birth, which took
place somewhat before 1170. He was poor, and through his youth and manhood
moved about from castle to castle, and from court to court, seeking to win
some recompense for his excellent verses and good company. Thus he learned
much of men, “climbing another’s stairs,” with his fellows, at the
Landgraf Hermann’s Wartburg, or at the Austrian ducal Court.
Public-domain text, read in full here on John Shaqi.
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